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Karen@KarenCommins.com

Karen Commins

Award Winning

Atlanta Audiobook Share-ratorâ„¢

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Observations

To the parents of aspiring voice talent

9 December 2007

Since Drew and I love to travel, it’s no surprise that we enjoy watching The Amazing Race on TV each week. The show routinely starts late during football season, so we sometimes catch part of 60 Minutes while waiting for the Race to start. A story from 60 Minutes a few weeks ago has been on my mind because I have noticed a growing trend among the questions I receive about getting started in a voice-over career.

Morley Safer reported on the work habits of the generation known as the millenials those born between 1980 and 1995. The following direct quotes are points raised in the story:

  • They were raised by doting parents who told them they are special.
  • They have climbed Mount Everest. They’ve been down to Machu Picchu to help excavate it. But they’ve never punched a time clock. They have no idea what it’s like to actually be in an office at nine o’clock, with people handing them work.
  • Zaslow says that the coddling virus continues to eat away even when junior goes off to college. “I heard from several professors who said, a student will come up after class and say, ‘I don’t like my grade, and my mom wants to talk to you, here’s the phone,'” he says. “And the students think it’s like a service. ‘I deserve an A because I’m paying for it. What are you giving me a C for?'”
  • And dear old mom isn’t just your landlord; she is your agent as well. “Career services departments are complaining about the parents who are coming to update their child’s resume. And in fact, you go to employers, and they’re starting to express concern now with the parents who will phone HR, saying, ‘But my little Susie or little Johnny didn’t get the performance evaluation that I think they deserve,'” Crane says.

I’m sure every generation thinks that it is the one with hard-working folks, and everyone younger is lazy. I also believe that 60 Minutes targets an older crowd. Many of the statements are generalizations that don’t apply to an entire group of people. Still, I found one kernel of truth in the report: some parents are entirely too immersed in their adult childrens’ lives.

I receive a steady stream of e-mails and calls from people who want to start a career in voice-over. I frankly was shocked when I received the first message from a mother who asked for advice for her son, who was in college. It was the first such message, but it wasn’t the last.

My first thought when receiving inquiries from parents is:

Why doesn’t Johnny or Susie contact me on their own, or, better still, read a book about voice-over?

I am a firm believer in doing your own research and making your own way in this world. If you’re not motivated to discover and learn those things essential to advance yourself, why should I or anyone else be inclined to help you?

In one case, the language of the e-mail made me wonder if the child was old enough to be making career decisions. If the young person is of an age to work, s/he should make the decisions about the course of their life, including their work. However, if a parent is asking about voice-over on behalf on a young child, I question whether the parent is trying to live their own dreams instead of pursuing something that the child has wanted to do.

Johnny and Susie also need to face the cold reality that voice-over or any career in the performing arts is tremendously competitive. In fact, I think all career paths are extremely competitive among the people interested in that type of work. Voice-over has the added perceived attributes of glamour, simplicity and wealth to incite even more people to flock to it as a career choice.

Most people have no idea of the amount of training and equipment needed to become financially successful in this career. Dedication and perseverance are essential character traits. Through countless auditions, you will hear ‘no’ exponentially more than you will ever hear ‘yes’…if you even hear anything. Like any profession, it can take years to go through the appropriate education and become fully established.

In addition to the performance aspects, the voice talent must become proficient with managing a business. Even when you hire staff to perform duties such as accounting, engineering, IT support, marketing and shipping, you are the CEO of the business and must make all decisions related to your business.

Finally, I can’t imagine any scenario in which queries from mom and dad present a professional image of the prospective voice talent.

If you’re a parent who is eager to help your child start a voice-over career, the best help that you can give is to cut the cord and step out of the spotlight.

Johnny or Susie should be the one to investigate their chosen field. It’s a perpetual cycle to contact people, take classes, make a demo, and perform the marketing activities needed in this career.

The Amazing Race is like voice-over in that people must use their wits and skills to overcome obstacles and challenges while competing with others who are after the same prize. While the show observes the competition between 2-person teams, voice-over by its nature is a solo competition. Certainly the aspiring voice talent will need and want a good support team which may include mom and dad. However, the aspiring voice actors are the only people who can take the steps necessary first to become a working voice talent and then to sustain a career.

 

Filed Under: Away From the Mic, Narrators, Observations, Voice-Over

How to achieve success in voice-over

20 November 2007

The dictionary is the only place where Success comes before Work.

A couple of recent situations made me think of this phrase. I believe that you can achieve any goal you set for yourself ASSUMING that you are willing to do the work necessary to achieve it. I also know that no one can do your work for you, and no shortcuts exist on your journey.

I have previously commented and voice-over coach and actor Peter Rofe noted in an article this week:

There are a lot of people who want to get into voice-over work because they have the misconception that it’s a get-rich-quick scheme, that they can stay at home, record their voice in their pajamas, unshaven in a T-shirt …
and make lots and lots of money.

Now in some cases, that’s true, but usually for well-established voice artists.

I frequently receive calls and e-mails from people who want to get started in voice-over, study with me, request demo critiques, ask my opinion on teachers and classes, etc. A few weeks ago, I saw a message on a forum where I’m a regular contributor. Like so many other people who contact me personally, this person wanted to get into voice-overs because she has always been told that she had a nice voice. A forum member directed her to search for my posts, read what I had written and perhaps send a private message to me if she still had questions.

At 12:24pm, she responded that she would take those actions.

At 12.30pm, I received a private message from this same person. She wrote that she posted the question in the forum, and someone suggested that she contact me.

I responded to her first by quoting the advice to read what I’ve already written. I added: That’s my suggestion as well. While I can appreciate and understand your excitement, you would find the answers to many of your questions with a little research.

A couple of Saturdays ago, I received a phone call from someone who introduced himself and then said, I need an agent. During his somewhat lengthy voice mail message, he proceeded to do a few impressions for me and told me how to find him on YouTube. He also told me about a holiday CD he had created that he said the people loved.

If I had to predict which of these 2 people would be successful in realizing their voice-over dreams, I would pick the second person without hesitation.

Person One seemed unwilling to do even the least bit of work. A mere six minutes elapsed between the times that she learned about me and I received her message. She did not search for my posts and read absolutely nothing before firing off a message to me. I also was not pleased that she misrepresented to me the forum poster’s advice.

Person Two, however, already was doing some work, had looked at enough of my web site to learn my agent’s name and obviously was not afraid to enthusiastically promote himself. Calling a fellow voice talent, especially on a Saturday, was an unusual tactic to employ in his quest for agent. I don’t fault him for making the effort. He had an idea and took action; you never know when an inspired action will bring results. When I returned his call, I told him that I am a voice talent marketing myself, and I wouldn’t be able to help him get an agent.

As I tell everyone who asks, you will achieve your dreams by putting one foot in front of the other and taking some small step toward your goals everyday. Just remember — your success is defined by your work!

 

Filed Under: Business, Narrators, Observations, Voice-Over

Trick…or Treat?

31 October 2007

Today is Halloween, a day that kids throughout the land adore because it means they get free candy, just by saying the magic words Trick or Treat! Judging from an e-mail forwarded to me from a friend, trick or treat also may be the outcome when dealing with a service provider like a voice talent, or, in this case, a cake decorator.

The story, according to the e-mail, was as follows:

We had a “going away” party yesterday for a lady
at our Little Rock claim office.
One of the supervisors called a Wal-Mart and
ordered the cake.

He told them to write: “Best Wishes Suzanne” and
underneath that write “We will miss you”.
As the picture shows, it didn’t quite turn out right. It was
too funny not to keep it.

The moral of this story is: You get what you pay for!

Whether shopping for a cake decorator or the voice talent for your next project, do you really want to go to the place that promises the lowest price and tries to be everything to everybody but doesn’t do anything particularly well? Or, would you rather consult with someone who is a specialist in their craft, carefully collaborates with you on your exact requirements and guarantees your complete satisfaction? Remember, the one offering the lowest price may also be offering the highest number of mistakes. As a professional voice talent, I always want my clients to feel that working with me was a TREAT!

Just some food for thought for adults on this day when food is on the minds of the kids….

 

Filed Under: Narrators, Observations, Voice-Over

How to lose friends and irritate people

21 May 2007

I was talking with a friend today. This friend Don has advanced degrees in multiple disciplines, yet he continues to attend grad school to earn more degrees. Barbara Sher, author of the life-changing book I Could Do Anything If I Only Knew What It Was, would say my friend is a scanner because he has varied interests and doesn’t settle on one thing for too long. I also would say that Don doesn’t want to commit to one thing. I’m convinced that he attends grad school so that he can postpone the inevitable time when he must finally make a choice of how he wants his life to proceed.

Today’s conversation got around to my voice-over business. As I talked about recent successes and my plans for the future, Don said, as he has said more than once over the years, “maybe I should look into doing voice-overs.” I tell anyone who asks me that they should explore any serious interest in voice-over work, sheep herding, Italian cooking or whatever. You don’t want to get to the end of your life and wonder “how would my life have been if I had done that?”.

As I have done in previous conversations, I recommended that Don start by reading books on my recommended list of voice-over books and taking some classes.

He asked how I would feel if he took a voice-over class and hit it big. Don is not someone in the incredible ** 81% ** of the Gen Y crowd (18-25 year-olds) who seems to expect fame and wealth as their birthright. Quite simply, Don is yet another person who thinks that making money in voice-over is an easy thing that can be done by anyone. Since he had a few spare hours in his schedule, Don was ready to sign up for the fortune and glory awaiting him as a voice-over actor.

I don’t think he will actually follow through with any action. After all, he is the same person who could never be bothered to even listen to my demos.

Our discussion today reminded me how Don acted when I created my first demo. When you decide to go after your goals, your friends and family will change their attitudes about you. In many cases, that change won’t be a positive one.

Before I made my first voice-over demo, I read books on voice-over, took voice-over classes covering interpretation and technique, and volunteered for 5 years to read for the blind. I ran eBay auctions to save money to have my demo professionally produced. Getting a finished demo in my hands was a monumental step toward my dream that required a lot of time and effort, and I was shocked and hurt by the reaction of several close friends when I asked them about listening to it. I wrote in my journal:

I appreciated Susie’s reaction in part because other people have hurt my feelings with their apparent lack of interest. Randy had seen the artwork and given me suggestions at my request [and did other things like talk to me about recording CDs]. However, Randy acted very bizarre when I asked him if he wanted to hear it. He suddenly remembered something he had to do at that very minute.

Don was no better. I have always been encouraging and supportive of his dreams. I read his novella recently and was the only person outside of his college instructors who understood it. I even made the same comments regarding character development that his instructor made. When I asked him if he would like to hear my long-awaited demo, he brushed me off and said he was too busy.

Even my best friend Erica disappointed me with her lack of reaction. I guess I expected more. If it were HER dream project, she wouldn’t be content with the sparse [comments] devoted to the subject.

Erica had been my best friend for 4-5 years. I felt like she was the sister I never had. We were in constant contact. Unfortunately, everything about our relationship changed in the moment that I created my first voice-over demo and started marketing it. Erica said she felt excluded, and she said I thought that my voice-over career was more important than her. Each time we talked, I felt that she didn’t want to hear about my marketing efforts, equipment purchases and gigs. She even told me that I was spending more time marketing my voice-over demo and playing my harp than I did with her. At one point, in anger that I again was working on marketing when she thought I should be spending time with her, Erica told me that she hoped my voice-over career would keep me company in my old age. Not surprisingly, our friendship disintegrated not too long after that comment.

I didn’t understand until a few years later the reason behind the tremendous negative reactions to my demo and new voice-over career. I always thought that my friends would be true, supportive of my efforts to improve my life and wishing to celebrate my success with me. Barbara Sher alluded to it in I Could Do Anything If I Only Knew What It Was. Everything she wrote about a family also holds true about one’s friends:

Almost any stranger would respect our dreams more easily than our family does. If you don’t believe me, try a comparison test. Next time you’re with a group of strangers, tell them the most offbeat idea you can think of. Tell them your dream is to raise dalmatians in the Himalayas, but you have no contacts in Tibet. Watch their interest pick up. They’ll even try to solve your problem.

INTEREST IS THE SINCEREST FORM OF RESPECT.

You don’t love these strangers, and they don’t love you, but we are all captivated by each other’s visions. It’s in our nature as humans to be intrigued with any new idea — unless we have some personal reason for not doing so. Our families have plenty of personal reasons, but a stranger is a pure soul. It’s possible that one stranger in twenty will react negatively to you, for his own reasons, but you’ll find the other nineteen will say something like, “Interesting idea! My cousin raises dogs!”, or “My neighbor’s been to Nepal! Do you want to talk to her?”

Now, to complete the comparison test, go home and tell your family the same kind of fantasy….How did your family like that? Did they drop their forks before or after they scrambled to talk you out of your “folly”?

When I analyzed the reactions of Randy, Don and Erica, I realized that people have a vested interest in keeping you the same.

If you dare to create goals and attempt to reach them, you make other people think about what’s missing in their own lives. They will take out their frustration over their own lives by directing it at you. Like my former friend Erica, they express their irritation with you about your pro-active activities, when, in fact, they are irritated with themselves for sleepwalking through their lives.

Steven Pressfield illuminated the issue perfectly in his amazing book The War of Art: Break Through the Blocks and Win Your Inner Creative Battles (a book that should be on the must-read list for every creative person):

Resistance by definition is self-sabotage. But there’s a parallel peril that must also be guarded against: sabotage by others.

When a writer begins to overcome her Resistance — in other words, when she actually starts to write — she may find that those close to her begin acting strange. They may become moody or sullen, they may get sick; they may accuse the awakening writer of “changing,” of “not being the person she was.” The closer these people are to the awakening writer, the more bizarrely they will act and the more emotion they will put into their actions.

They are trying to sabotage her.

The reason is that they are struggling, consciously or unconsciously, against their own Resistance. The awakening writer’s success becomes a reproach to them. If she can beat these demons, why can’t they?

If you decide to pursue a voice-over career — or take up sheep herding, or Italian cooking, or whatever — I can guarantee you that your relationships with others WILL change. Some relationships will evolve, while others will disappear. You have to ask yourself who you’re living life FOR, and what the good opinion of someone else actually means to you.

Working on your goals fills your life with purpose and makes every moment meaningful. You have to decide whether you are going to live the life you were meant to lead or sit on the sidelines, watching it pass you by. Waiting to get the approval of friends and family about your plans for your dream life is a guaranteed way to ensure that your life will remain exactly as it is today.

Of course, if you can’t decide on a course of action, I have a friend who can recommend several grad schools that will keep you busy!

 

Filed Under: Away From the Mic, Books, Narrators, Observations, Voice-Over

Some advice about unsolicited advice

13 March 2007

A few weeks ago, Drew told me that he found himself critiquing the voice-over actors on local radio commercials. He said he could recognize voice talent who need more training because they haven’t learned how to sound conversational in their reads. Among other things, he astutely detected that amateurs invariably let their voices trail off at the ends of sentences.

That same day, I called a major entertainment venue here in Atlanta to learn information about an upcoming event. I was rather shocked to hear a voice message in which the events and ticket prices were read in a choppy, uneven manner by someone with an accent. While some local commercials are produced by people with limited budgets, this complex has revenues in the millions each year. Its operations department unquestionably could afford to hire professional voice talent but has not.

In both cases, a professional voice-over artist like me could be tempted to offer her services to these businesses to fix their problems. However, both the people producing the commercials and those at the entertainment venue don’t think that they have a problem. My efforts therefore would fall in the category of unsolicited advice and most likely anger the people that I most wanted to impress.

I learned this lesson the hard way. As I was beginning my voice-over career, I wrote an e-mail to a local car dealer who runs a lot of radio ads. With my infinite wisdom, I explained that the dealer’s ads about Jenny in the office making a Bundt cake for all of the salesmen was offensive because it presented a very sexist and condescending attitude toward women. Mind you, I sent this message in the late 90s or early in this decade. The ad WAS sexist, but as a new voice talent who had no connection to this advertiser, it wasn’t my place to point out that fact. Naturally, I happily identified myself as a voice-over talent and offered to assist the dealer with future commercials.

I have auditioned for that dealer’s spots on numerous occasions but have never booked one. I have listened to my auditions against the ads that ran on the air. My vocal qualities and copy interpretation are eerily similar in many cases. Since I’m a positive person, I believe that maybe the producers knew the talent selected for the ads or perhaps never heard my auditions. I have to be honest, though, and acknowledge that an equally likely scenario is that my unsolicited advice was considered criticism and destroyed my chances of booking work with that advertiser.

“If I want your opinion, I’ll ask for it”

is an old adage that holds true in business. Bob Bly, a well-known and highly respected copywriter who has written many books, wrote a story with that title several months ago in the Early To Rise e-zine. He details valid reasons that you shouldn’t offer unsolicited advice.

When I feel my unsolicited advice could be perceived as criticism, I will keep it to myself, as Bly suggests. For instance, a nearby restaurant opened in the location of a previous restaurant. They changed the name and menu, which gave the customer one set of expectations, but kept the interior furnishings from the previous owner. The result was a hodge-podge of a poorly conceived restaurant with no unique identity.

During our one meal there, I told Drew a number of marketing ideas I instantly had for the establishment as soon as I walked in the door. I often have marketing ideas for businesses but usually don’t say anything because I don’t know the people. I didn’t say anything in the restaurant. It closed after being open less than a year.

If I am merely offering ideas for some new marketing twist, I don’t think the case against unsolicited advice is so clear-cut. When I am working with my clients, I feel that one of my value-adds to them is my marketing mind. I ask them if they are open to suggestions to changes in copy. If I see a way to promote their services, I enthusiastically point it out to them. My clients know that we have a collaborative relationship, and they always seem appreciative and excited about the leads, tips and ideas that I give to them. Certainly, when I am pitching an idea like an audiobook to a prospect whom I have targeted, providing a list of specialty marketing channels may be the key piece of information to seal the deal.

I still wonder what to do about those people who are in the category of potential clients. If I have a marketing idea for someone with whom I’d like to work, should I share it with them when we have no prior business relationship?

In three cases dealing with multi-million dollar corporations within the last month or so, I decided the answer was yes. The ideas had nothing to do with voice-over and nothing to do with me, but everything to do with the brand enhancement of the companies involved. (In keeping with Bob Bly’s recommendations, I wouldn’t have submitted the ideas if they could have been viewed as self-serving.) I suggested that 2 companies could partner on a promotion which would benefit both of them as they share the same target market, and I proposed a niche advertising campaign for a third entity.

I carefully researched the recipients so that the ideas would have the best chance of landing with the right decision-maker, but I can’t say whether anyone read my letters. The companies may not like or be able to implement my ideas. Like Bob Bly stated, these companies didn’t pay me for my ideas, so they might not find them valuable.

It’s one thing to approach somebody saying, “Will you hire me and pay me some of your money?” That line of inquiry won’t win you any friends when you continue with a recitation of perceived defects, like the web designer profiled in Bob Bly’s article or my letter to the car dealer. It’s another thing to approach somebody and say, “Here’s a way that you can make money!”

I think what you put out in the Universe comes back to you. If I was of service to someone else, the Universe will be of service to me. I sent these ideas freely, without any expectation of reward. I truly love all 3 companies and want to see their continued success and market domination. Of course, if any of these 3 businesses ever wants to engage me to voice commercials, point-of-sale and trade show presentations, training programs or anything else for their stellar organizations, I will be more than delighted to join their team!

 

Filed Under: Business, Narrators, Observations, Voice-Over

10 Business Tips From My Day at the Great Pyramids

18 December 2006

When Drew and I recently visited the Great Pyramids in Egypt, our attention was instantly focused on something. You might think we were riveted by the awe-inspiring majesty of the ancient structures that we were visiting. While we were certainly thrilled to be standing at one of the 7 Wonders of the world, we couldn’t totally concentrate on the moment as we defended ourselves against the onslaught of sales pitches of the many vendors who rushed up to us as we stepped onto the Sahara sand.

If you stood still for more than a few seconds, someone would approach you, offering to sell you something, take you for a camel ride or shoot your picture. I began to think that the sellers outnumbered the tourists.

People were hawking everything imaginable to remember your experience at the Pyramids: postcards, calendars, camels (both rides on real ones and small toys) coins, stamps, papyrus pictures, and, of course, head wraps.

In fact, head wraps seemed to be the most popular item sold by the vendors, and most of the people appeared to have identical packages of white cloth which you would tie to your head with colored rope rings. These wraps looked like the traditional Arabian, white scarves with rope rings that you see in the movies. Most people were selling them for a dollar.

When we went to the Pyramids, we didn’t have it in our minds to buy a souvenir of our visit. We and our fellow travelers had spent a lot of time, money and energy to journey to the Pyramids; all we wanted was peace and quiet to enjoy the view. All the vendors wanted was to use our limited time and waning energy under the desert sun to relieve us of money for their trinkets.

In this setting of vendors barking their prices at us as we passed them, my marketing mind couldn’t help but think: How does a person selling a product that is the same or similar to his competitors distinguish himself in a saturated marketplace? The observations I made during my trip to the Pyramids are tips that you can easily employ in marketing and improving your voice-over business.



Drew and me in front of the Sphinx and Pyramids
One of the more unusual selling approaches occurred when one person forced one of these white head wraps into Drew’s hands, started walking with us and told us he was giving us a free gift.

Observation #1: The word FREE is one of the most powerful words in the English language. When someone offers you a free gift, you can’t help but feel intrigued. Of course, our society causes us to be cynical and look for the ‘the catch’ to any offer. In your voice-over business, you can entice people with free reports, free auditions, free script assistance, free revisions in short, whatever you feel adds value to your business without taking away from your bottom line. You ARE in the voice-over business to make money, aren’t you?

He proceeded to ask us if we were American. When we said we were, he told us that he loved America and wanted to travel here someday.

Observation #2: This seller was trying to create a relationship with us. People like to do business with those with whom they have a relationship. While everyone else was simply yelling prices at us, this guy was actually attempting to develop a rapport with us.

Once he had established our nationality, the Pyramid peddler suggested that it would be nice if we could also give him a gift. (Ah, HERE’S the catch!) He didn’t specifically ask for money, but we knew he wanted money. We quickly gave the so-called free gift back to him.

Observation #3: If you give away something for free, you can’t have any expectation of getting anything in return. If you anticipate a quid pro quo, you risk offending your prospects and a loss of any future sales.

Observation #4: When you’re in a sales situation, you need to have a firm price for your product (as in voice talent and services) and be able to speak to people about the benefits they will receive from spending their money with you.

We also visited the Sphinx, which is located at the site of the Pyramids. Here, the peddlers offered the same merchandise as at the Pyramids but also added scarves and crystal Pyramids. Souvenir shops lined the road, but I didn’t see an official souvenir stand at either site. I suppose that anyone who wants to sell stuff could do so.

We had successfully skirted around the sea of sellers while entering the chamber to the Sphinx. Our guide even shooed away one particularly pesky merchant by speaking rather sharply to him in Arabic. On our way out, though, Drew noticed someone selling a head wrap that was unlike the 100 he had seen prior in the day. All of the others were small pieces of white linen fabric, while this one was a large, black and white checked fabric similar to one worn by a former Mid-East leader. Drew stopped to inquire about it.

Observation #5: Find a niche and fill it. I know that may seem easier said than done, especially when I’m talking about the voice-over industry, but we all have unique voices and unique backgrounds that we bring to the microphone. Figure out your signature sound, and find a way to use your experiences in your marketing. Also, if you have some tie-in to a celebrity, use it!

Drew and the vendor haggled about the price of this head wrap for several minutes before Drew finally bought it at a price considerably lower than the dealer’s original price. However, Drew did pay more for his head wrap than the white linen wraps seen at the Pyramids and more than he originally planned to spend.

Observation #6: Just because everybody else in your sandbox is charging low prices and negotiating price cuts with every new prospect doesn’t mean that you have to follow the trend. When you cut your prices, you are the one who bleeds. If you want to charge and achieve a premium price for your voice-over talent, you need to be ready with factual, persuasive reasons based on quality, service or other aspects why the prospect should pay the extra money. For an in-depth and fascinating discussion of this subject, I cannot recommend too highly that you get Larry Steinmetz’s book How to Sell at Margins Higher Than Your Competitors: Winning Every Sale at Full Price, Rate, or Fee.

Observation #7: Even in a market that is saturated with vendors, people are willing to increase their budgets to acquire a quality product that matches their specifications.


Drew shows off his new purchase
Following the visits to the Pyramids and the Sphinx, we were taken on a Jeep safari and camel ride at the Saqqara Country Club near the 4000-year-old Step Pyramid, which we also visited. Both the Jeep safari and camel ride were included in the package price for the day trip to the Pyramids. Our camels were led by Bedouins walking by the camels on foot, and our guide told us that $2 was a customary tip for these ‘drivers’. Consequently, Drew and I each put $2 in our pockets with the plan to give it to each driver at the end of the ride.

The camel ride lasted 30-40 minutes, which was longer than we expected. During the entire ride, our drivers kept asking if everything was okay. They were eager to please and ensure that we were having a good time. However, they didn’t know a lot of English, so the rest of the conversation consisted of constant requests for money at the end of the ride.

I was uncomfortable during the ride because I only had one foot in a stirrup. I never found the stirrup on the right side, and I kept feeling like I would fall off the camel’s back. I told Moses, my driver, about this problem numerous times. Maybe he didn’t understand me since he would respond by telling me about needing money to feed his wife and 5 hungry children.

Observation #8: If your client reports a problem to you, you should fix it immediately. Listen twice as much as you talk. Do everything in your power to maintain your client’s trust.

Sami, Drew’s driver, gave the reins to Drew so Drew could steer the camel. Drew gave his camera to Sami and asked Sami to take our picture. Though we’re sure Sami doesn’t own a digital camera, he did a great job in using Drew’s camera. When people say I look extremely happy in this picture, I tell them it is because I was reunited with my Sheik of the Desert, who had been leading our little caravan of camels. Drew says he thinks I’m laughing because I know the hot, bumpy ride is almost over. 🙂


My Sheik and me on our camel ride in the Sahara Desert
We decided that, contrary to the advice of our guide, the drivers deserved more than a $2 tip for the long walk and value-added service. Drew had a mixture of US and European currency in his wallet. He gave a US $20 to Sami; however, he gave Moses a 20 Euro, which was worth around $25 due to the exchange rate. Even though Sami took pictures of us and gave Drew the reins of his camel, Drew paid Moses more because Moses was taking care of me. Also, Moses was also missing many teeth and had a larger family than Sami. Drew wanted to do more to add to Moses’ prosperity than to Sami’s. Rather than thanking Drew for his generosity, Sami was jealous of the amount given to Moses and demanded that Drew give him $5 more. Drew refused.

Observation #9: Do the best job that you can do and express gratitude for all of your blessings. Convey your appreciation to your clients for choosing you as their voice talent and for their prompt payment of your invoices. You would do well to set up a regular system to maintain contact with them that shows them you are thinking of them and their needs, not yours.

Observation #10: We live in a global economy. If you don’t have a passport, get one. If you have a passport, use it. Travel the world to spend time in other cultures and see how other people really live as opposed to taking your world view solely from the things that the media chooses to tell you. I can’t promise that you will gain creative ideas about your voice-over business, but I can promise that you will gain a perspective about your place in this world and an appreciation for the abundant lifestyle you are privileged to lead if you are a voice-over artist.

 

Filed Under: Business, Narrators, Observations, Voice-Over

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