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Karen@KarenCommins.com

Karen Commins

Award Winning

Atlanta Audiobook Share-rator™

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Voice-Over

5-time volunteer at HearTheBill.org

12 December 2009

Have you read the Health Care Reform legislation that is currently pending in Congress? I haven’t read all of the bills. However, I have narrated 5 segments of the various bills as part of the monumental, volunteer effort by professional voice talent to create audio versions of all of the House and Senate bills on health care reform at HearTheBill.org.

In addition to narrating the bills, I have listened to much of them. Anyone can download the various bills and listen to them like an audiobook. The voice talent who donated time, energy, and talent to this project did so without any political agenda. The aim of the site is enable Americans to make informed decisions about the health care proposals.

As I stated in my profile at HearTheBill.org:

A lecturer once stated that civilization is built with the arts as the foundation.
As a voice artist, it’s always my goal
to create lasting work that means something to people.
Since this bill has lasting impact to every American,
I am thrilled to join with my fellow voice talent
to create this recording and make
the proposed legislation accessible to all citizens.

HearTheBill founders Kathleen (Kat) Keesling and Diane Havens worked incredible hours on this increasingly massive project to build and maintain the web site, coordinate the activities of dozens of voice talent, develop and update the recording style guide, blitz the press and obtain top-tier national coverage, and narrate multiple segments, all while continuing to perform voiceover work in their own busy professional lives. Since the Senate is still working on a compromise bill, I’m sure Kat and Diane will call on the HearTheBill.org volunteers to quickly narrate the new bill once it is available.

If you’re a professional voice talent, you can answer that call with me by volunteering to record a segment of the next bill. Not only is the HearTheBill narration important work that serves a vital community need, but the bills are excellent material for a legal demo reel. Think about it — only a voice artist could start with dry, legislative copy and breathe life into it so that it actually sounds interesting!

The preparation time needed for these recordings can be significant depending on the number of pages you undertake, as well as the number and type of references to legislation within those pages. The copy is overflowing with abbreviations for other legislation. In order to make my narration sound flowing, I mark my script each time to spell out all of the legal terms according to the Style Guide.

When the next bill is ready, I’ll be ready to volunteer again. What about you?
 

Filed Under: Audiobooks, Narrators, Voice-Over

Using Twitter for marketing voiceover services

30 November 2009

Since I recently began including my Twitter entries in my blog, I thought you might enjoy reading this interesting article in the Nashville Business Journal. It highlights the success stories of several businesses in using Twitter to build their brand and their business. Voice talent will find some ideas for implementation in your own marketing plan.

 

Filed Under: Marketing, Narrators, Voice-Over

Time required to narrate and produce audiobooks

28 November 2009

Two weeks ago, the following ad appeared on one of the freelance work sites. While it wasn’t on a site aimed solely at voiceover talent, it prompted me to write about the time required for audiobook production.

Hello. I am looking to turn 14000 word e-books into audio and or video format, this will be ongoing work i know it is a simple process to do and can be done free with max and or various softwares, if you have the knowledge and have done this before please reply this will be ongoing work i will pay $40 per e-book converted into audio. If you have a sample of your work please provide it this will help me make my dicission. [sic]

In reading this ad, I’m not clear what kind of work is actually requested. I’m not even sure the ad’s author knows what s/he wants. However, 2 things are immediately evident to me:

  1. a 14,000-word book is about 1.5 hours of finished audio narration
  2. $40 is entirely too little pay to even consider narrating this e-book

Paul Strikwerda, a Pennsylvania voice talent and thought-provoking blogger, wrote a most excellent and thorough analysis of the recording aspect of audiobook work titled Breaking down an audio book rate. He outlines the process for estimating the finished run time and consequently a recording rate based on the pages and words in a book. It’s a terrific article that I wish I had written, and I highly encourage you to read it and his other articles about setting rates.

But Paul’s article only tells half the story. What about the editing and production aspects of audiobook work?

Since I usually work alone in my stunning soundproof studio, I have to consider my total time commitment when submitting a bid on audiobook work. My rule-of-thumb is that each finished hour of audio requires 4 hours of real time to create: 1.5-2 hours to record and 2 hours to edit. While editing, you must consider the overall story flow when determining tracks, as well as editing pauses for dramatic effect.

If the person who wrote the ad above is expecting a voice talent to narrate his e-book, I can easily estimate that I might need 6 hours in my studio to complete the process. If I divide 6 into 40, I get an hourly rate of $6.66. If that rate looks like a devilish number, consider this point:  At this moment, the US federal minimum wage is $7.25 per hour.

Do you really want to do voiceover or audiobook work so much that you’re willing to make less than minimum wage?

The example Paul used in his blog is a book that would run about 8.33 hours of finished time. I don’t think even the world’s most accomplished narrator could record an 8-hour book in 10 hours. Not only might the narrator stumble on words, but other influences can stop the recording, like growling stomachs, external noise, and calls of nature. In addition, the vocal chords grow tired after hours of recording. Furthermore, errors like mispronunciations and incorrect inflections are caught during the editing process that must re-recorded and inserted into the edited material. Using my time commitment formula with Paul’s sample book, I would actually expect to spend over 33 hours in my studio to complete the assignment!

Establishing rates is always a concern for voice talent and all freelance professionals. Whether you’re quoting rates for audiobooks or some other kind of long-form narration, don’t be afraid to set a rate that truly compensates you for your time spent on the project.

PS. Speaking of time commitments, I wrote this article on 15 November but haven’t made time to record it. I decided I’d rather post it for you now without the accompanying narration than continue to delay its publication.

 

Filed Under: Audiobooks, Narrators, Voice-Over

Voice-over career requires time and energy

26 July 2009

Karen’s narration of this entry

Nothing lasts forever.
The most unforeseen circumstances will swamp you and baffle the wisest calculations.
Only vitality and plenty of it helps you.

–WASHINGTON A. ROEBLING

Washington Roebling’s name may not be familiar to you. He’s not in the voice-over industry. In fact, he has nothing to do with voice-over or entertainment. However, I recently read about him and his monumental accomplishment, and his quote applies to anyone pursuing a big dream, including a career in voice-over.

You see, Washington Roebling was an engineer — not just any engineer, but the chief engineer behind the famous Brooklyn Bridge. I recently read David McCullough’s fascinating and extremely well-researched novel The Great Bridge, which describes the people, risks, relationships, political environment, and long processes involved to build that bridge. It’s the sort of sweeping, satisfying book that I would love to narrate, but these historical books are usually about men and therefore narrated by men in the audiobook. But I digress …

Part of the story that is so remarkable is that Roebling fell seriously ill and wasn’t even on-site during much of the construction, yet he pressed on until the Brooklyn Bridge was completed and his dream realized. With his wife’s admirable and steadfast assistance, Roebling wrote such an incredible collection of notes and designs that his assistant engineers were able to complete the work to his specifications without his supervision.

The on-line Merriam-Webster dictionary defines vitality as physical or mental vigor especially when highly developed. I can’t agree too much with Roebling’s assessment that vitality is necessary to accomplish anything of importance, especially a voice-over career.  However, I would also add time to the equation.

Many people jump into voiceovers with the expectation that a lucrative and easy career awaits them. Unlike an engineer, they don’t study the landscape or make calculations about the best way to proceed. They may give up before achieving the level of success that they seek.

I have often heard that entertainers and sports stars who are considered to be an overnight success usually have been working diligently and learning their profession for 10 years or more. This passage in John Maxwell’s book Put Your Dreams to the Test: 10 Questions that Will Help You See It and Seize It better explains that theory:

Author and speaker Jim Rohn points out, “The twin killers of success are impatience and greed.” I believe they are often the killers of dreams as well. Most people want results that are quick and dramatic. However, the reality is that most dreams are achieved very slowly, and the results come about unspectacularly. If you have achieved any major goals in your life, then you already know that realizing goals can be less thrilling than imagining them. That’s why you need to learn to take satisfaction in the journey and find fulfillment in the small steps along the way.
Drew and I visited New York City for the July 4th holiday, and we walked across the Brooklyn Bridge. Although I’ve seen it many times, I could only fully appreciate its immense size, strength, and beauty while actually standing on it.

Karen Commins at Brooklyn Bridge 7-4-09.jpg

Karen Commins walks across the Brooklyn Bridge 7/4/09
The construction process took 14 years, which was 2-3 times longer and at a far greater cost than the original estimate. Had Roebling not maintained his vitality and persevered through unimaginable obstacles over long stretches of time, this masterpiece of American architecture would not be standing.

I thought again about the time and energy needed to complete a dream while we watched Macy’s July 4th fireworks on the Hudson River. We were treated to a spectacular 30-minute show, but the tremendous planning and coordination, including the actual fireworks manufacture and testing, must have started as soon as the festivities were finished last year, or perhaps even earlier. I created a short video of some highlights from the fireworks and added music from my royalty-free library. I am posting the video here for your viewing pleasure.

[KGVID width=”480″ height=”272″]http://www.karencommins.com/wp-content/uploads/2009/07/NYC-Fireworks-7-4-09.m4v[/KGVID]

Time and vitality have been necessary ingredients in my voice-over business since its inception. Like anyone, I have had and continue to have personal challenges, like the losses of my dad in 2003 and my mother just 2 months ago in May. In the past couple of weeks, Drew and I were shocked to learn that his position as a lead software engineer has been eliminated after 12 years of employment with his company, so we unexpectedly are starting a new chapter of our lives.

I don’t bring up my personal obstacles to gain your sympathy but to point out that vitality is needed to sustain the momentum in my voice-over career while time marches on. You may have noticed that even my blog entries lately required an unusual amount of time and energy to complete. Many days, I have to judge my progress on my voice-over dreams based on incremental forward movement. However, like Roebling and his bridge, I continue to focus on my vision of success, counting my blessings and victories as I go along.

What kind of correlation do you notice between time and energy in pursuing your voice-over goals? I’d love to hear from you with comments on the blog!

 

Filed Under: Away From the Mic, Books, Narrators, Observations, Other Videos, Voice-Over

5 marketing lessons from Ralph the artist

21 June 2009

Life has intervened to keep me away my blog this last month. Two weeks have passed since I started writing this little story from my recent cruise, which is relevant to voice talent. Drew and I were sitting in lounge chairs on the promenade deck one evening when another man and his wife sat next to us and starting talking to us. We found out that the guy’s name is Ralph; I don’t remember his wife’s name.

Ralph seemed more interested in talking about himself than in finding out about us. We quickly learned that Ralph is an artist who paints geometric designs on large canvases. He handed me his business card, which had a picture of one of his paintings and the verbiage to look for Ralph on Google. I was a bit surprised that Ralph reached for his card to take it back from me when we parted company.

I told Ralph that I love art, and I asked him how long it took him to create a painting. He replied, “that’s my secret.” Perhaps I was just making conversation, but for all Ralph knew, I was thinking of commissioning him to create a painting for me.

As he talked, Ralph told us that he had sold his art in Beverly Hills galleries; maybe he thought we would be impressed. He then segued into a tale of a sale that made me want to bail on that male. (Sometimes I amuse myself.) A buyer at one of these Beverly Hills shows wanted to buy a painting that he had priced at $1200 and asked him to cut his price to $700. After he agreed to the price cut, the buyer wrote a check. It turned out that the buyer was Paris Hilton’s mother, and she planned to give the painting to Paris as a present. Ralph said that if he had known the identity of the buyer, he wouldn’t have cut the price.

Five marketing lessons were once again made clear to me that evening when listening to Ralph. Did you catch them?

1) In a service-oriented business and in life overall, you can only be of service to others if you listen more than you talk.

Like Ralph, many people find themselves to be a favorite topic. Whether I’m socializing personally or networking as a professional voice talent, I ask questions of the other person. When you find out about another person, you are forming the foundation of a relationship. Talking about yourself just seems a self-centered way to pass the time.

You’ll remember that I had expressed interest in Ralph’s art. As an artist and presumably an entrepreneur, Ralph should be open to prospective clients coming from any source. We voice talent also need to be aware that the next job could come from someone to whom we haven’t marketed. In fact, I have noticed that when I put energy into a focused marketing plan, the next job comes from someone out of the blue. I believe that whatever you put out into the world comes back to you, and usually it’s in a way you didn’t expect.

2) Be as open and willing to explain your work to someone who expresses interest.

It was odd to hear Ralph tell me that his time was his secret, and that remark alerted me that I shouldn’t ask any other questions about his work. Whenever people ask me about voice-over, I am more than happy to answer their questions. I also think it’s important to educate people about the time required for a project so that they will better understand my pricing.

In addition, I am a firm believer in self-promotion, especially in an industry like voice-over, with new entrants every day. Most of my voiceover work has come through self-promotion. As I tweeted on Twitter (you can follow me at Twitter.com/KarenCommins) a few days ago, this quote from W. S. Gilbert sums up my view on self-promotion:

If you wish in this world to advance
your merits you’re bound to enhance;
You must stir it and stump it,
and blow your own trumpet,
or trust me, you haven’t a chance.

3) When you hand your business card to someone, you shouldn’t expect to get it back.

I read a job hunting book once in which the point was made that every good salesperson always has something to leave behind. In some cases, the only thing you can leave is your business card. The whole reason to have business cards is so that someone can remember you. I carry my cards with me almost everywhere I go; you never know when a conversation about voiceover might occur. I admit I don’t have them with me when I’m sitting in a lounge chair on a cruise ship. However, I do have them in my cabin and would follow up with anyone if the situation warranted it.

Since Ralph had a card with him, I would think he would be happy if I kept it. If I had his card, I not only would know his last name, but I’d know how to contact him if I decided I wanted one of his paintings. Ralph may have kept his card but lost a potential sale.

While I’m on the topic of business cards, I thought you might like to see a gallery of business cards from voice talent. Clever marketer and fellow voiceover artist Peter O’Connell recently asked voice talents to send him an image file of their business cards. You can see them on his web site. I’m also posting my current business card on this page.

Current business card for voice talent Karen Commins

4) Having your own web site and owning your domain name is becoming increasing important in cementing your identity in your prospects’ minds.

While I didn’t have Ralph’s card for long, I had it long enough to see that he didn’t have a web site. His card had the instructions search for Ralph on Google. I did a Google search for “Ralph artist”. Since I don’t even know Ralph’s last name, I don’t know which of the 7,180,000 results relate to the guy I met on the ship.

Many voice talent use their profile page from one of the voiceover pay-to-play sites as their web site link. Some kind of personal web site is better than Ralph’s, but it is not the most effective strategy for your business. If you want people to remember you and come to you when they need voice talent, why would you market yourself as one of thousands of talent all vying for attention at one site?

I also don’t recommend using personal web space from your ISP because it includes the ISP domain name, and the long link name can look like voiceover is your hobby. It’s worth the money to own your unique domain name and create your web site.  Whether on my business card, my e-mail signature, or anything I distribute to potential and current clients, I include only the link to my own site and my Twitter address.

5) When you cut your price, you are the one who bleeds.

I couldn’t believe it when Ralph said he cut his price at a Beverly Hills show. Think about it — he was standing in one of the most affluent areas in the world, yet he caved and sold his work for almost half of his original price! He immediately regretted cutting his price when he realized that his buyer easily could have afforded something even beyond his original price.

I don’t fault his buyer or anyone for asking for a price cut. We all ask that question at some point, especially in a situation where we think the price is negotiable.

In fact, since many people assume that voiceover is no more difficult than talking, buyers of voiceover services perceive our prices to be negotiable and typically ask for a price reduction.

If you feel tempted to compete solely on price, you might want to read another post-vacation story titled Cruising for a competitive advantage.

Will these lessons from Ralph the artist help you in marketing your voice-over business? I look forward to reading your comments on the blog!

 

Filed Under: Marketing, Narrators, Voice-Over

One word of advice: PRACTICE

20 May 2009

Karen’s narration of this entry

My extended absence from my blog is due in part to an amazing 2-week cruise from Miami to Los Angeles through the Panama Canal. As faithful readers of this blog know, I always observe lessons applicable to voiceover when I travel, and this latest trip was no exception.

Every cruise ship director hires a variety of performers who must amuse and entertain the passengers. The nightly shows during our sailing on the glorious Norwegian Pearl were particularly enjoyable. We heard pianist Nadia Zaitsev perform some incredibly complex arrangements of Bach, Beatles, Gershwin, and Chopin before tackling a truly thrilling rendition of Scott Joplin’s Maple Leaf Rag. Another night, we watched a guy known as Los Gauchos twirl rope with balls at each end with such terrific speed so that it looked like swirling laser beams encircling him. Okay, it sounds like a lame act, but trust me, this guy was mesmerizing. We watched Professor Watson move effortlessly between solos on fiddle, mandolin, and trumpet in successive songs.

With each performer, I first admired their talent. My second thought was about the enormous number of hours that each must have spent in practice of his or her art in order to perform flawlessly before the audience. As voice talent, we also have the responsibility of practicing before we’re in front of an audience, whether that audience is face-to-face, as in a studio session, or virtual in an on-line audition.

During our trip, fellow voiceover artist Terry Daniel wrote an article on his blog about the merits of practice. Terry wisely points out that voice talent have a perpetual need to voice copy out-loud in order to find the best technique and interpretation.

When I’m on vacation, I usually do practice voiceover almost every day. I’ll read aloud the ingredients of shampoo bottles (great practice for medical narrations), the ship’s daily newsletter (practice for travel narrations), and books (practice for audiobook narration and characterizations). However, I admit that I have been lax sometimes about practicing voiceover while at home.

While many people think that voiceover work is simply talking or reading aloud, the ability to read smoothly out-loud is just the starting point in this career. I always encourage newcomers to read everything out-loud in order to bring some reality to their dream.

As a voice talent gets some paid jobs and starts growing a business, it’s easy to forego practice for the sake of practice. We may think we get all the voiceover practice that we need in doing auditions. If you view an audition as part of the job of being a voice talent, though, you can see dedicated practice is necessary before undertaking any auditions.

In addition to Terry’s article, I read a couple of other things recently that re-affirm to me the necessity of constant voiceover practice. An editorial in the New York Times reminds me that reading aloud is a very different physical experience than reading silently. Also, comprehension can be measured by a person’s skill in reading out loud because “…it reveals far more than whether the reader understands the words. It reveals how far into the words — and the pattern of the words — the reader really sees.”

Even more interesting to me is the assertion made by voice talent Anthony Mendez in his insightful and fascinating e-book titled Meditation for Voice-Over: The Voice Actor’s Guide to Not Worrying and Reducing Stress. I liked this ebook immensely because Anthony applies some Law of Attraction and mind power principles to increasing one’s voiceover business. He lists 3 Ms as the benefits of voiceover practice in front of the mic:

1) Your muscles become strong.
2) Your muses conspire to help you realize your intentions.
3) Your mind is focused on a single point, which causes manifestation to occur more quickly.

(Hmmm…maybe that should be 4 Ms!)

Anthony further states that by doing, you will BE.

I can think of no better reason to practice voiceover every day. Toward that end, it’s my intention to record this and future blog posts as part of my practice sessions.

Do you practice voice-over? I’d love to get your thoughts on this topic, so please leave a comment on the blog.

 

Filed Under: Law of Attraction, Narrators, Observations, Voice-Over

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