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Karen Commins

Award Winning

Atlanta Audiobook Share-rator™

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Karen Commins’s Audiobook Marketing Cheat Sheet

27 November 2016

Last updated 16 April 2025


Don’t you just LOVE to market your audiobooks?

I think many people would answer an emphatic NO! to that question, in part because they feel uncertain how to proceed.

This page will give you plenty of creative ideas for promoting your audiobook!

Before we get to those ideas, I want to point out that the author and publisher should do most of the marketing and promotion of the title. Even on royalty share contracts, the narrator’s role in and effect from promotion is minimal. Narrators typically have larger portfolios than authors and have shorter deadlines, making it impractical for a narrator to do prolonged and/or substantial marketing on individual books.

I hold the view that the best long-term marketing any narrator or author can do is to narrate or write their next book. Being prolific in your field improves your skills, builds the fan base of buyers (with sales and royalties to follow), and always gives you something new to promote.

In addition, authors and publishers would do well to spend the bulk of their time and money in promoting the BOOK rather than a particular edition of it. Some of the methods on this page will work very well for promoting the book, while others will help you give the audiobook greater visibility, at its release and beyond.

Visibility is the key to strong sales.

Why do audiobooks need greater visibility? I answered that question and many more in the interview I gave to Sandra Beckwith at BuildBookBuzz.com. This interview is a good place to start when you’re developing a marketing plan for your book and audiobook.

 

Distribution Channels

Many authors are expanding their distribution platforms to offer their audiobooks on as many sites as possible. The number and variety of distributors is increasing. Each offers different royalty rates, sales data update frequencies, payment frequencies, and promotional support. You may not be able to publish under your company name.

You need to do your research and pick the distributor(s) that best serve your goals. Note that you can be non-exclusive with ACX/Audible and concurrently distributing on other sites. Some to consider are:

  • ACX.com
  • BigHappyFamilyAudio.com
  • FindawayVoices.com
  • Ingram.com
  • PublishDrive.com
  • SpokenRealms.com

I examined 6 popular distributors across 22 points and offered my recommendations in my Audiobook Distributor Comparison Chart, available exclusively to members of my NarratorsRoadmap.com site. 

Some authors are selling audiobooks from their own site. They use a service like Stripe.com or PayHip.com to process the payment and BookFunnel.com to distribute them.

Even if your audiobook is only available as a digital download, you can still sell it through independent bookstores (as long as you have not signed any exclusive distribution agreements) by distributing it through Libro.fm. This article outlines a number of ways that Libro.fm helps booksellers promote your audiobook. You can even become a Libro.FM affiliate and earn commissions on your sales.

Libraries are important for both discovery and sales of your books. The report on this site discusses libraries’ impact on buying and consumers’ relations with books.

Book store and libraries are looking for programming and may be willing or even eager for authors to give a talk in person or in a livestream video. If you want to do a signing but only have digital editions of your book, you could get postcards printed with your book cover and blurb.

 

Author Mentions

My article in the February 2016 issue of InD’tale Magazine, “6 Low-Cost Avenues For Greater Audiobook Sales” lists 7 ways authors can mention their audiobooks on their sites and in their newsletter mailing list (you ARE developing and maintaining a mailing list, aren’t you? Check out this 4/27/23 Bookbub author survey for info and ideas!), references my 2 ACX articles below and offers even more promotional and marketing ideas: AudiobookBoom.com (discussed below), Whispersync (explanation and video below in Other Resources), QR codes, podcasts (see this article for a case study), and radio shows.

Author Melissa Storm created this video that shows her attractive sales buttons on her site and her links on Soundcloud. She also discusses email automations to send info about your audiobooks to your mailing list.

The best type of author mention might be a Kickstarter project to secure funding to produce the audiobook! While you might not have Cory Doctorow’s reach or results, you can learn from his 3/31/23 article in Publishers Weekly.

 

Social Media and Other Tactics

I had the pleasure of being a guest writer on the ACX.com blog to discuss audiobook marketing in depth. Both articles and their comments include examples from other narrators and me.

In Part One, I explained some reasons why people are resistant to listening to audiobooks. I then offered 3 ways to make your audiobooks more discoverable to an audience, with related tactics for each:  be authentic, be consistent, and be creative.

Note that the category of being consistent includes the idea of creating an annual promotions calendar so that you have reasons to promote the audiobook at times other than the release day. I talked about my promotions calendar as one of my narrator hacks on the APA Webcast in Sept. 2020, which APA members can view on the APA site. As you can see in the picture below, my promotions calendar includes my bi-weekly newsletter to NarratorsRoadmap.com members and bi-monthly newsletter to my mailing list. I insert info about my new releases and upcoming projects in the newsletters to my mailing list.

You might be interested to read this article to see how I promoted a book 8 years after the release date based on something in it.

 

 

Part Two contains 4 more ways to promote your audiobooks, including marketing based on any locations in the book. I offer some very specific tactics on 5 social media sites (Goodreads, Twitter, Soundcloud, Facebook, YouTube) such as instructions about adding the audio edition to Goodreads and subscribing to my Twitter list of audiobook reviewers and bloggers. Be sure to read my comments for updated info about the Goodreads process. This page gives more detailed instructions about subscribing to and using my Twitter lists to find reviewers.

I created an Evernote check sheet of my minimal publicity actions, which you can view here.

This post from Kate Tilton lists 25 ideas from a March 2015 ACX Twitter chat about audiobook marketing tactics. It includes my organized Storify recap with threaded Q&As.

ACX published a great article on their blog highlighting 7 successful tips and tactics from authors interviewed at 2015 Romantic Times and BookExpo conventions.

You’ll find a growing number of groups of audiobook fans on Facebook. Be sure to read their rules and post promotions only where allowed. A few are listed below, but you can search Facebook for more generalized and genre-specific groups relevant to your topic.

  • Audiobook Addicts
  • Audiobook Lovers
  • Audio Books!
  • Audio Books Rock!
  • Aural Fixation

You can sign up to receive the free, 3-times-daily alerts from journalists who are looking for sources for stories at Help A Reporter. I especially encourage non-fiction authors to take this step because it’s a great way to share your expertise of your topic with the media. However, fiction authors and narrators still have many opportunities to pitch their ideas and experience as a source. Review their rules for sources before responding to any of the queries. If a journalist uses your information, you can increase your publicity by sharing your media coverage as I did in this Facebook post.

 

Audible Tools

Share the link to your audiobooks listed on Audible in the most favorable light to you as I explained in this article.

You can add the Audible sample of your audiobook to your web site and social media. If you don’t have the file, you can use this free, nifty utility from narrator Steven Jay Cohen to extract the MP3 sample file from Audible’s site.

If you published your audiobook using ACX, be sure to use the bounty referral links found in your dashboard each time you post about your audiobook.

This article on the ACX blog shows you how to create a 30-day free Audible trial. The free trial may lead to an ACX bounty payment!

Once you have the audiobook in your Audible library, Audible lets you send it for FREE to as many people as you wish! The catch is that each person can only receive 1 book for free. After that point, they have to pay for books sent to them.

Best of all, Audible has created Author pages that take information from Author’s Central on Amazon. This post in the ACX blog explains how to find and share your Author page.

Per this 2019 article on The Verge, ver 100 million Amazon Alexa units have been sold worldwide. This site notes that Amazon Echos have more than 50% of the smart speaker installation base in the US. Not surprisingly, Audible has a list of audiobook-related Alexa commands.

‪
Reviews

On my AudiobookVillage.com site, you can access my exclusive Reviewers Directory that is searchable by genre and sub-genre and contains contact info, review policies, a link to a sample review and more info for each reviewer.

Publishers and authors can pay to distribute review copies to stores, libraries, journalists, and bloggers through Edelweiss+ and NetGalley.

The Literate Housewife blog offered these tips about submitting requests for reviews. This page from the Geeky Blogger’s Book Blog outlines additional details you’ll want to include in your pitch.

This blog post contains my Storify of an ACX chat about submitting your audiobooks to the premiere industry publication AudioFile Magazine for review. You can access their Review Consideration form here and from the Contact Us page on the AudioFile website.

Library Journal is a major influencer in library sales, as is the Booklist site and magazine from the American Library Association.

Publishers Weekly discontinued its audiobook reviews but started including audio clips with web reviews of the print book. Contact the person named in this article if you’re interested.

AudiobookJukebox.com is an incredible site that indexes thousands of audiobook reviews for all genres. You only have to fill out a simple form to request a review. Reviewers can check the list and request your title if they are interested in it.

AudiobooksUnleashed.com is the brainchild of narrator Sarah Sampino. She automated the fulfillment process of promo code distribution. You load your codes on the listing page, and the site gives one to each listener requesting the audiobook. You can even re-load the codes. A nice value-add is the addition of your mailing list sign-up form.

A similar code fulfillment site AudioFreebies.com created by narrator Amy Soakes allows you to specify whether your promo codes are ACX/Audible or FindawayVoices/AuthorsDirect.

The popular FreeAudiobookCodes.com site (formerly known as AudiobookBoom.com) was developed by audiobook narrator Jeffrey Kafer. It’s like BookBub but is for audiobook promotion. You can advertise your audiobook on this site and use your ACX promo codes to give copies of your audiobook to eager listeners in exchange for a review.

Thanks to the efforts of narrator and audiobook columnist Ann Richardson, InD’tale Magazine accepts audiobooks for review.

Fellow narrator Paul Heitsch created this document that lists sites for audiobook reviews. This Google doc of Audiobook Marketing Resources lists additional reviewers and was created for a panel at the 2017 Romantic Times Convention by narrator Karen White, bloggers Felicia Sparks and Viviana Izzo, and Michele Cobb, the executive director of the Audio Publishers Association.

You can find other reviewers and bloggers on Twitter by subscribing to my Twitter list of audiobook reviewers and bloggers. This post shows you how to subscribe and use the list.

I’ve interviewed several blogger reviewers. You can read those interviews at this link.

In this video, author Chris Fox describes his successful tactic of giving away a significant number of review copies to gain a spot in the top 20 in the Audible category. As I explain in this comment, I advise you against guaranteeing that every person requesting a free audiobook will receive one.

 

Advertising

BookBub has announced ChirpBooks, its audiobook promotion service for limited time price cuts. You need to distribute your audiobook through Findaway Voices in order to fulfill orders from Chirp because other distributors don’t allow you to set or change your audiobook price. You can submit a Chirp deal on this page. You can even promote your Chirp listing with a BookBub ad. This webinar explains how to apply for and maximize your Chirp deal. Both authors and narrators can even add “Follow Me on Chirp” buttons and icons to your web sites as described in this article.

This article shows 12 BookBub audiobook ads that they say achieved high click-through rates.

You can pay to advertise your audiobook in AudioFile’s Indie Press Showcase.

If you’d like to run Facebook ads for your audiobooks, Melissa Storm covers them in her paid course.

You can use the Bookfunnel service to advertise and deliver short audio to others. Delivery of complete audiobooks is still in beta.

 

Awards

In this article, audiobook narrator and columnist Ann Richardson explores many of the awards available for audiobooks. I want to highlight 2 awards programs to make you aware of their deadlines:

  1. The Call For Entries in the annual prestigious Audies competition, sponsored by the Audio Publishers Association, usually begins in late June.
  2. The Voice Arts Awards, presented by the Society of Voice Arts and Sciences, has entry deadlines (before late fees) running from May to August each year.

As Audie winners commented in this article, you can update your cover art to show the award designation and the audiobook’s description to include information about its awards.

 

Other Resources

When I was a guest on Stephen Campbell’s The Author Biz podcast to talk about audiobook marketing and promotion, I mentioned the ripple effect of BookBub ads for ebooks. As I demonstrate in this 3:03 video, Amazon has created technology called Whispersync that enables you to seamlessly go between the ebook and audiobook or even immerse yourself in both concurrently. Many avid listeners will acquire an Amazon Kindle ebook when it is free or heavily discounted in order to buy the Audible audiobook on Amazon at a lower price. In fact, the ripple effect is so high that the money made on the audiobook royalties following the promotion oftentimes pays the cost of the BookBub ad!

Audiograms are short videos that consist of an audio file added to a picture, like the one shown below. The visible audio wave on the image(s) can be attention-getting on social media. Be aware of the video duration limits set each social media platform.

http://www.karencommins.com/wp-content/uploads/2016/11/Dynamic-Laws-of-Prosperity-audiogram.mp4

In this article, narrator and publisher Steven Jay Cohen explains their use and a free audiogram generator named Headliner. I used the service Wavve.co to create the audiogram in this tweet. Wavve lets you create one 1-minute video per month for free; they offer a sliding scale of prices for additional videos. The site allows you to choose different shapes and colors for the wave form, and the support team was super responsive when I ran into an issue with the progress bar not lighting as expected.

You could include your audiograms or other audio samples in your messages sent to your mailing list. This article, which is aimed at podcasters, discusses that audiograms seem better at building brand awareness on social media more than generating click-throughs to the product.

You also could run a contest associated with a new release. This email from narrator Scott Brick gives a great example you could follow.

It’s important to size graphics appropriately for each site. To create interesting and unique images, you might want to use the graphics on BookBrush.com, which has various template book-related mock-ups, or Canva.com.

You could also make or hire someone to produce a video trailer to promote the audiobook. I’ve written text and created a trailer describing the audiobook and others like this one and this one where I used a snippet from the audiobook’s narration and timed the videos and images to go with it. You can share your videos anywhere you’d share an audiogram. Unless you already have lots of followers, though, be aware that getting eyeballs on your trailer could require its own marketing plan!

You might decide to hire someone to help you with specific marketing for your audiobook. Prolific narrator-turned-author Karen White offers an array of services and packages at her site HomeCookedBooks.com.

Members of the ACX Narrators and Producers group on Facebook may also want to check the FAQ in the group’s pinned post. I created the FAQ from that group’s discussions, and it contains 5 excellent discussions about audiobook marketing that may reveal additional tactics. Note that you must have a profile on ACX in order to join the group.

I also recommend that you join the Marketing Audiobooks Wide group on Facebook. Authors and audio rights holders discuss tactics that have worked for them.

Obviously, marketing is such a broad topic and is subject to one’s availability and creativity that I couldn’t possibly write about or include every idea. 

For instance, I don’t have much to say about Pinterest. I pin the audiobook cover on a board of my titles, and I like seeing which titles have been re-pinned. Authors and publishers also use Instagram and other sites to promote their titles.

Rather than being on every social media channel, I stick with the few I enjoy using. It takes time to build a following, and I hold to the belief that “scattered thinking leads to scattered results”!

You’ll find good examples of many tactics discussed in this post in this Bookbub article. Author Penny Reid described her experiences with using these ideas in this post on the BookBub blog.

By steadily employing multiple techniques from this page to promote your audiobooks over time, you’re sure to have consistent sales!

 

Filed Under: Audiobooks, Authors, Marketing Tagged With: ACX.com, Ann Richardson, Audavoxx.com, Audible, Audies, Audio Publishers Association, audiobook, AudiobookBoom.com, AudiobookJukebox.com, AudiobookVillage.com, AudioFile Magazine, BigHappyFamilyAudio.com, Bookbub, Bookfunnel.com, Booklist, BuildBookBuzz.com, ChirpBooks, Chris Fox, Cory Doctorow, Edelweiss+, Felicia Sparks, FindawayVoices.com, FreeAudiobookPromoCodes.com, Geeky Blogger, Headliner, HelpAReporter.com, HomeCookedBooks.com, InD'tale Magazine, Jeffrey Kafer, Karen White, Kickstarter, Libro.fm, Literate Housewife, marketing, Melissa Storm, Michele Cobb, NarratorsRoadmap.com, NetGalley, Paul Heitsch, PayHip.com, Publishers Weekly, reviews, Sandra Beckwith, Sarah Sampino, Scott Brick, SOVAS, Stephen Campbell, Steven Jay Cohen, Stripe.com, The Authors Biz, Viviana Izzo, Voice Arts Awards, Wavve.co

Interview with Audiobook Blogger Beccy Stokes

7 March 2016

Authors and narrators greatly appreciate the people who take the time to listen to our audiobooks and then write thoughtful reviews. In this installment in my series of interviews with audiobook bloggers, I’m excited to welcome Beccy Stokes from Audiothing Reviews and find out about her review interests and process.


[Read more…] about Interview with Audiobook Blogger Beccy Stokes

Filed Under: Audiobook Bloggers, Audiobooks, Interviews, Narrators Tagged With: Audible, audiobooks, Audiobookthing, Beccy Stokes, blogger, interview, Overdrive, reviews, WhisperSync

Interview with Audiobook Blogger April Holgate

28 December 2014

Authors and narrators greatly appreciate the people who take the time to listen to our audiobooks and then write thoughtful reviews. In this first installment of a new series, I’m excited to interview audiobook blogger April Holgate from Eargasms Audiobook Reviews to find out about her review interests and process.

April’s bio:

I have always been a reader in one form or another. I generally get through a book a day. I just cannot help devouring stories! I was the kid whose favorite teacher was the librarian. She always let me borrow more books than you were allowed. As a kid I was very introverted. I loved going into my books and living an adventure in my head. As I grew older I started coming out of my shell and getting into theatre. Turns out reading and theatre are a perfect combination!

My career has varied from being an artist to working in Broadway theatres to working as a kid’s talent agent then back to being a starving artist again. I have loved every minute of my journey!

10 Questions For April

1. When did you start listening to audiobooks?

I have been listening to audiobooks for several years now. I started here and there while working on art projects or playing video games. I thought it was a great way to make that time more productive. Later I listened during my long commutes to and from work, 2-3 hours each way. Now I have a new job where I am on the computer all day, perfect for listening to books.

2. What prompted you to start writing audiobook reviews?

I started writing book reviews several years ago when I discovered Goodreads. It started as a way to keep track of books I had already read and my thoughts on them. Amazingly enough people started liking the reviews and asking for recommendations. I write a review for everything I read, the good, the bad and the eh. I only started including narrator info in the reviews a few years ago. I realized they were an important part of the experience that I left out. A narrator really can make of break a read.

3. Where do you write your reviews? If it’s a public place, why did you choose it? If it’s at home, describe the room and/or stuff on your desk. A picture would be fabulous!

I am a very fly by the seat of your pants kind of girl. I write reviews on my Kindle, on my iPhone, sneak them in while at work and at my desk. I have written reviews while lounging in bed, on the subway, in the bubble bath, waiting in line and most often at my messy desk. Wherever I am that gives me a moment to think and get those thoughts out. I am almost afraid to show you a picture of my desk because it looks like an episode of hoarders! LOL What can I say, I like chaos.

4. How do you decide whether to read a book or listen to it? Do you ever do both for the same book?

My traditional reading time is very limited due to work and life, so I am very picky about what I physically read. Mostly those are books from authors I am already invested in, who have not made the jump to audio.

Selecting an audiobook is easier because I can listen while I work, commute or pretend to work out. I have plenty of authors and series that I stalk, um follow. I am always watching for them to release. Other books will catch my eye because of the cover art, I like pretty. Then I read the blurb to see if the story interests me. From there I will listen to the sample to determine if I like the narrator. If everything looks and sounds good, I will spend one of my precious credits or accept the offer to review.

I have read a few books both in traditional reading and them in audio. Most of the time it is because the author has made the transition to audiobooks, other times it is because I need to reacquaint myself with a series that I read in ebook and am now switching to audio. I love experiencing the book again in a very different way. Many times I pick up things that I missed the first go around.

There is also the rare occasion when I switch to an ebook because I am not enjoying the narration. It has only happened a few times.

5. Do you have a go-to genre?

Do I ever! I have my top three favorite genres.

Romance, pretty much every sub-genre, I read anything from the sappy sweet to YA to naughty erotic to romantic suspense. I am a sucker for a good love story; smexy steam is always a bonus.

Paranormal/Urban Fantasy, especially if it involves shifters! I love me some yummy shifter crack! My favorite thing about the genre is the way it can rebuild the world you thing you know. It is fantasy but modern as well.

Mystery, love them all, especially a cheesy Cozy Mystery. I love playing detective and trying to solve the crime before all the clues are revealed. There have been a few that gave my inner Sherlock Holmes a real work out!

6. What is your review policy? Do you accept review requests from narrators?

I welcome any offers for audiobooks. I have submission from authors, narrators and publishers. You will find I do a fair share of indie/self-published audiobook reviews. It is important for me to showcase more than just the NYT Best sellers. Generally my policy is just ask, you never know what might catch my attention. I have ever changing book moods!

7. Describe how you approach your reviews. Do you have different criteria for different genres?

For me a review is about liking the book or not. I hate reviews that regurgitate the book blurb or give spoilers. You will not see that at Eargasms. My philosophy is Keep It Simple. I go over what I thought of the book and characters in general. Was there a story, was it any good? How steamy did things get? What kind of narrative was it, single POV or mixed?

I spend at least a paragraph of the review is dedicated it the narration. Again, keeping things simple, commenting in the pace, tone and energy of the read. I have pet peeves about bad accents, background noise and weird pauses.

I do not have a lot of criteria as far as the genres, except for Romance. I need a story with my steam. I am not a fan of thin stories wrapped around oodles of sex. Give me a quality story with my smut!

8. Do you multitask when listening to books? If yes, what else do you do while you listen, and how does listening to books affect the other activity?

I listen while I work, I think it makes me more productive. Oddly enough splitting my attention tends to make me more focused. I get through more work when I am listening to an audiobook . I also listen while I am editing photos or creating props/costumes. Again, I think the audiobook helps me focus more on my task. I don’t usually need to think too hard about work or art, listening is a nice way to let my mind wander.

I also listen at the gym, but we are not going to talk about that torture chamber!

9. Looking back through the reviews you’ve written, please share the link(s) of 1-3 that were favorites of yours and explain why they are special to you.

So hard, it is like picking a favorite book! Impossible! Here are a few more recent ones that I really enjoyed.

http://www.eargasmsaudiobookreviews.com/2014/08/07/jitters-a-quirky-little-audio-book-by-adele-park/
Jitters is a favorite review because it was a book I was expecting to adore. There was such a sense of theatricality about the read, I fell in love! I do not usually enjoy full cast narrations; this was a very happy exception.

http://www.eargasmsaudiobookreviews.com/2014/11/29/audiobook-review-better-nate-than-ever-by-tim-federle/
Better Nate Than Ever is a favorite because I loved the combination of writer/narrator, and Nate really reminds me of so many friends. I can just imagine them as him in their youth.

http://www.eargasmsaudiobookreviews.com/2014/05/09/the-selkie-spell-by-sophie-moss/
The Selkie Spell was such a beautiful read. It was one of those books you want to crawl inside and live. Loved the Irish accents!

10. As a narrator, I sometimes feel I have a spiritual connection to some of the characters in the books. If you were a character in a novel, who would you be, and why?

I am going to show exactly what a classic book nerd I am here. I think I would be either Elizabeth Bennett of Emma Woodhouse. I think I have Lizzie’s forthright attitude and spunk. Emma is my more playful side. Ms. Austen really did know how to craft an awesome character!

I think I could easily relate to most of Shakespeare’s heroines as well. Katherine, Beatrice or Rosalind; all strong, independent and sassy as all get out!!

Connect with April on these sites:

Blog http://eargasmsaudiobookreviews.com/
Goodreads  https://www.goodreads.com/user/show/2016803-april
Amazon
Audible http://www.audible.com/listener/A1KYJA5YM1479G?ref_=a_search_mst_tnaft_5
Facebook https://www.facebook.com/eargasmsaudiobookreviews

Thanks, April, for a peak inside your world! Also, I thank you for all of the narrator interviews on your blog this month, including my interview today!

Do you have a question for April? Please leave a comment!
 

Filed Under: Audiobook Bloggers, Audiobooks, Away From the Mic, Interviews, Marketing, Narrators Tagged With: April Holgate, blogger, Eargasms Audiobook Reviews, reviews

Upcoming Series: Interviews with Audiobook Bloggers

26 December 2014

When you have the courage to put your art out in the world, you know you will get a mix of reactions to it in the reviews.

I have never written a review (and don’t intend to start), but I’ve certainly read plenty, including many left for my audiobooks on Audible.

However, I do look at reviews for 2 primary reasons:

  1. to prepare for an audition of a book I’d like to narrate
  2. after my audiobook is released so that I improve my performance in future books

If I’m reading the reviews for the print editions before an audition, I look for comments about:

  • grammar
  • spelling
  • typos
  • correct word usage
  • amount of graphic sexual or violent scenes
  • amount of foul language
  • plot and character development

Helpful comments include things like comparisons to TV shows and movies, where if you liked the other medium, you’d probably like this book as it has similar character development.

I also like to know that the reviewer reads/listens in the genre for the review. Some people who have never read/heard a cozy mystery JUST DON’T GET IT! They think all mysteries are full of violence and fast action. They leave negative reviews and ratings for books that don’t meet that expectation.

The review is also not the place to complain about the price of the book/audiobook, though many people write one for that very reason.

Whether the review is left for a print edition or the audiobook, it doesn’t help anyone if it doesn’t offer constructive criticism. With an audiobook, if the Audible listener doesn’t like the story, s/he will usually trash the narrator, too, and vice versa.

Those types of reviews usually have 1-star ratings and don’t offer anything helpful to either the author or narrator. They usually just say something generically mean that could have come from a MadLibs, like: “The [story or narrator] was [negative adjective like horrible, atrocious, terrible, awful]! Don’t waste your money!”

It’s like the reviewer is completely outraged that they spent money and then didn’t enjoy the audiobook for whatever reason. They feel it their sworn duty to warn off other people from making the same tragic mistake, yet they can’t articulate the reason the audiobook didn’t meet their expectations.

Whether a reviewer is writing from the heights of wild enthusiasm or from the abyss of negativity, what’s the point of writing a review if a person can’t say what s/he liked or didn’t like about the book? Writing “I liked/didn’t like it but don’t know why” is not a review; it’s an opinion.

Even in a discussion with one’s friends, just saying “I liked or didn’t like it” wouldn’t be enough. Someone who might be interested in the book would almost certainly ask what about it did you like/not like.

I’m not trying to tell anybody to write any certain thing or certain way.  Even the 1-line opinions of “loved it” or “hated it” are valuable because your art made somebody feel something, which is really the point behind creating it.

Since I haven’t written reviews, though, my opinions about them may not matter to anyone but me!

For this reason, I am thrilled to announce a new series of interviews with audiobook bloggers! These people love audiobooks and write thoughtful reviews of the audiobooks they hear.

April Holgate, prolific listener and author of the Eargasms Audiobook Reviews blog will be first in the interview hot seat. Look for her interview here on Sunday, 28 December. Coincidentally (or not!), I’ll be interviewed on her blog that day as well and hope you will check out both of our sites.
 

Filed Under: Audiobooks, Books, Interviews, Marketing, Narrators Tagged With: April Holgate, Audible, Eargasms Audiobook Reviews, reviews

How to Submit Your Audiobooks for Review in AudioFile Magazine

1 December 2014

On 10/29/14, ACX.com hosted a Twitter chat with AudioFile Magazine, the audiobook industry’s oldest and best publication, so that narrators and publishers could learn about AudioFile’s purpose and review policies.

I added all of the Q&A tweets that I could find to a Storify page, which you can read at this link. I also included some headlines highlighting key points.

 

Filed Under: Audiobooks, Authors, Business, Marketing Tagged With: ACX.com, audiobooks, AudioFile Magazine, narrator, reviews, Storify, Twitter chat

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