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Karen Commins

Award Winning

Atlanta Audiobook Share-rator™

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Authors

Karen Commins — Your Audiobook Producer

17 December 2016

Want to create an audiobook of your book but feel overwhelmed about the process?

Concerned that you will pick the wrong narrator?

Afraid that you will need to spend hours that you don’t have in requesting changes to an unsatisfactory production?

Sit back and R-E-L-A-X!

In fact, you can head to the beach because you’ve found an experienced producer and narrator to whom you can hand off your book without worry!

Karen inside her WhisperRoom in her studio

As a full-time and Audible Approved audiobook narrator, I love interpreting your words on the printed page and creating a pristine recording that allows today’s ultra busy people to take a mental vacation. And who doesn’t need one?!

My rights holders are thrilled with the final product and the ease with which they receive it. They don’t request corrections because none are needed!

How I make the process easy for you:

🌴 Typos in the text? No problem. I say it correctly as I record. I’ll send you a list of typos that I find.

🌴 Accents? Sure! I’m a native of Atlanta and excel at Southern accents. I also research and perform other accents as needed in the text.

🌴 I’m highly selective about my audiobooks. I only audition for and accept projects when my voice and style are IN BEST SERVICE OF THE TEXT. My other titles may even help to sell your book!

🌴 Scientific or technical books? Yes! I earned a MS degree in computer information systems and worked over 25 years in highly technical IT positions. I can present your text with complete authenticity as I actually understand the words coming out of my mouth!

🌴 I strive to create the best production possible. I pay meticulous attention to detail to offer:

* Clarity
* Consistency in performance
* Compelling pacing
* Consummate editing and sound quality
* Correct pronunciations of names and places

🌴 I always supply your perfect recording within and usually ahead of the deadline.

🌴 I have a BA degree in radio and TV journalism and am an excellent writer. I can help you adapt your book to better suit an audiobook.

🌴 I have studied audiobook narration with Grammy award-winning director Paul Ruben and legendary talents Pat Fraley and Scott Brick, to name a few of my teachers.

🌴 I created an Audiobook Marketing Cheat Sheet to aid the rights holder in creating and implementing your marketing plan.

I have been hired to narrate titles in these genres:

* Biography
* Childrens
* Classic Fiction
* Contemporary Fiction
* Comedic Chick Lit
* Mysteries and Thrillers
* Romance
* Self-development

My soundproof studio shown above is outfitted with a Whisperroom and Neumann TLM 49 mic as found in top recording facilities.

You can hear my demos, see all of my titles, and read highlights of my reviews on other pages of this site.

I’m an audiobook narrator/producer who collaborates with my clients so that your story can be delivered — and remembered — in this frenzied world.

Want to hear how I’d perform your book? Contact me today for FREE audition!
Karen@KarenCommins.com
470.737.NAR8  (6278)

I Invite you to read the many articles I’ve written to aid authors.

 

Filed Under: Authors

Karen Commins’s Audiobook Marketing Cheat Sheet

27 November 2016

Last updated 16 April 2025


Don’t you just LOVE to market your audiobooks?

I think many people would answer an emphatic NO! to that question, in part because they feel uncertain how to proceed.

This page will give you plenty of creative ideas for promoting your audiobook!

Before we get to those ideas, I want to point out that the author and publisher should do most of the marketing and promotion of the title. Even on royalty share contracts, the narrator’s role in and effect from promotion is minimal. Narrators typically have larger portfolios than authors and have shorter deadlines, making it impractical for a narrator to do prolonged and/or substantial marketing on individual books.

I hold the view that the best long-term marketing any narrator or author can do is to narrate or write their next book. Being prolific in your field improves your skills, builds the fan base of buyers (with sales and royalties to follow), and always gives you something new to promote.

In addition, authors and publishers would do well to spend the bulk of their time and money in promoting the BOOK rather than a particular edition of it. Some of the methods on this page will work very well for promoting the book, while others will help you give the audiobook greater visibility, at its release and beyond.

Visibility is the key to strong sales.

Why do audiobooks need greater visibility? I answered that question and many more in the interview I gave to Sandra Beckwith at BuildBookBuzz.com. This interview is a good place to start when you’re developing a marketing plan for your book and audiobook.

 

Distribution Channels

Many authors are expanding their distribution platforms to offer their audiobooks on as many sites as possible. The number and variety of distributors is increasing. Each offers different royalty rates, sales data update frequencies, payment frequencies, and promotional support. You may not be able to publish under your company name.

You need to do your research and pick the distributor(s) that best serve your goals. Note that you can be non-exclusive with ACX/Audible and concurrently distributing on other sites. Some to consider are:

  • ACX.com
  • BigHappyFamilyAudio.com
  • FindawayVoices.com
  • Ingram.com
  • PublishDrive.com
  • SpokenRealms.com

I examined 6 popular distributors across 22 points and offered my recommendations in my Audiobook Distributor Comparison Chart, available exclusively to members of my NarratorsRoadmap.com site. 

Some authors are selling audiobooks from their own site. They use a service like Stripe.com or PayHip.com to process the payment and BookFunnel.com to distribute them.

Even if your audiobook is only available as a digital download, you can still sell it through independent bookstores (as long as you have not signed any exclusive distribution agreements) by distributing it through Libro.fm. This article outlines a number of ways that Libro.fm helps booksellers promote your audiobook. You can even become a Libro.FM affiliate and earn commissions on your sales.

Libraries are important for both discovery and sales of your books. The report on this site discusses libraries’ impact on buying and consumers’ relations with books.

Book store and libraries are looking for programming and may be willing or even eager for authors to give a talk in person or in a livestream video. If you want to do a signing but only have digital editions of your book, you could get postcards printed with your book cover and blurb.

 

Author Mentions

My article in the February 2016 issue of InD’tale Magazine, “6 Low-Cost Avenues For Greater Audiobook Sales” lists 7 ways authors can mention their audiobooks on their sites and in their newsletter mailing list (you ARE developing and maintaining a mailing list, aren’t you? Check out this 4/27/23 Bookbub author survey for info and ideas!), references my 2 ACX articles below and offers even more promotional and marketing ideas: AudiobookBoom.com (discussed below), Whispersync (explanation and video below in Other Resources), QR codes, podcasts (see this article for a case study), and radio shows.

Author Melissa Storm created this video that shows her attractive sales buttons on her site and her links on Soundcloud. She also discusses email automations to send info about your audiobooks to your mailing list.

The best type of author mention might be a Kickstarter project to secure funding to produce the audiobook! While you might not have Cory Doctorow’s reach or results, you can learn from his 3/31/23 article in Publishers Weekly.

 

Social Media and Other Tactics

I had the pleasure of being a guest writer on the ACX.com blog to discuss audiobook marketing in depth. Both articles and their comments include examples from other narrators and me.

In Part One, I explained some reasons why people are resistant to listening to audiobooks. I then offered 3 ways to make your audiobooks more discoverable to an audience, with related tactics for each:  be authentic, be consistent, and be creative.

Note that the category of being consistent includes the idea of creating an annual promotions calendar so that you have reasons to promote the audiobook at times other than the release day. I talked about my promotions calendar as one of my narrator hacks on the APA Webcast in Sept. 2020, which APA members can view on the APA site. As you can see in the picture below, my promotions calendar includes my bi-weekly newsletter to NarratorsRoadmap.com members and bi-monthly newsletter to my mailing list. I insert info about my new releases and upcoming projects in the newsletters to my mailing list.

You might be interested to read this article to see how I promoted a book 8 years after the release date based on something in it.

 

 

Part Two contains 4 more ways to promote your audiobooks, including marketing based on any locations in the book. I offer some very specific tactics on 5 social media sites (Goodreads, Twitter, Soundcloud, Facebook, YouTube) such as instructions about adding the audio edition to Goodreads and subscribing to my Twitter list of audiobook reviewers and bloggers. Be sure to read my comments for updated info about the Goodreads process. This page gives more detailed instructions about subscribing to and using my Twitter lists to find reviewers.

I created an Evernote check sheet of my minimal publicity actions, which you can view here.

This post from Kate Tilton lists 25 ideas from a March 2015 ACX Twitter chat about audiobook marketing tactics. It includes my organized Storify recap with threaded Q&As.

ACX published a great article on their blog highlighting 7 successful tips and tactics from authors interviewed at 2015 Romantic Times and BookExpo conventions.

You’ll find a growing number of groups of audiobook fans on Facebook. Be sure to read their rules and post promotions only where allowed. A few are listed below, but you can search Facebook for more generalized and genre-specific groups relevant to your topic.

  • Audiobook Addicts
  • Audiobook Lovers
  • Audio Books!
  • Audio Books Rock!
  • Aural Fixation

You can sign up to receive the free, 3-times-daily alerts from journalists who are looking for sources for stories at Help A Reporter. I especially encourage non-fiction authors to take this step because it’s a great way to share your expertise of your topic with the media. However, fiction authors and narrators still have many opportunities to pitch their ideas and experience as a source. Review their rules for sources before responding to any of the queries. If a journalist uses your information, you can increase your publicity by sharing your media coverage as I did in this Facebook post.

 

Audible Tools

Share the link to your audiobooks listed on Audible in the most favorable light to you as I explained in this article.

You can add the Audible sample of your audiobook to your web site and social media. If you don’t have the file, you can use this free, nifty utility from narrator Steven Jay Cohen to extract the MP3 sample file from Audible’s site.

If you published your audiobook using ACX, be sure to use the bounty referral links found in your dashboard each time you post about your audiobook.

This article on the ACX blog shows you how to create a 30-day free Audible trial. The free trial may lead to an ACX bounty payment!

Once you have the audiobook in your Audible library, Audible lets you send it for FREE to as many people as you wish! The catch is that each person can only receive 1 book for free. After that point, they have to pay for books sent to them.

Best of all, Audible has created Author pages that take information from Author’s Central on Amazon. This post in the ACX blog explains how to find and share your Author page.

Per this 2019 article on The Verge, ver 100 million Amazon Alexa units have been sold worldwide. This site notes that Amazon Echos have more than 50% of the smart speaker installation base in the US. Not surprisingly, Audible has a list of audiobook-related Alexa commands.

‪
Reviews

On my AudiobookVillage.com site, you can access my exclusive Reviewers Directory that is searchable by genre and sub-genre and contains contact info, review policies, a link to a sample review and more info for each reviewer.

Publishers and authors can pay to distribute review copies to stores, libraries, journalists, and bloggers through Edelweiss+ and NetGalley.

The Literate Housewife blog offered these tips about submitting requests for reviews. This page from the Geeky Blogger’s Book Blog outlines additional details you’ll want to include in your pitch.

This blog post contains my Storify of an ACX chat about submitting your audiobooks to the premiere industry publication AudioFile Magazine for review. You can access their Review Consideration form here and from the Contact Us page on the AudioFile website.

Library Journal is a major influencer in library sales, as is the Booklist site and magazine from the American Library Association.

Publishers Weekly discontinued its audiobook reviews but started including audio clips with web reviews of the print book. Contact the person named in this article if you’re interested.

AudiobookJukebox.com is an incredible site that indexes thousands of audiobook reviews for all genres. You only have to fill out a simple form to request a review. Reviewers can check the list and request your title if they are interested in it.

AudiobooksUnleashed.com is the brainchild of narrator Sarah Sampino. She automated the fulfillment process of promo code distribution. You load your codes on the listing page, and the site gives one to each listener requesting the audiobook. You can even re-load the codes. A nice value-add is the addition of your mailing list sign-up form.

A similar code fulfillment site AudioFreebies.com created by narrator Amy Soakes allows you to specify whether your promo codes are ACX/Audible or FindawayVoices/AuthorsDirect.

The popular FreeAudiobookCodes.com site (formerly known as AudiobookBoom.com) was developed by audiobook narrator Jeffrey Kafer. It’s like BookBub but is for audiobook promotion. You can advertise your audiobook on this site and use your ACX promo codes to give copies of your audiobook to eager listeners in exchange for a review.

Thanks to the efforts of narrator and audiobook columnist Ann Richardson, InD’tale Magazine accepts audiobooks for review.

Fellow narrator Paul Heitsch created this document that lists sites for audiobook reviews. This Google doc of Audiobook Marketing Resources lists additional reviewers and was created for a panel at the 2017 Romantic Times Convention by narrator Karen White, bloggers Felicia Sparks and Viviana Izzo, and Michele Cobb, the executive director of the Audio Publishers Association.

You can find other reviewers and bloggers on Twitter by subscribing to my Twitter list of audiobook reviewers and bloggers. This post shows you how to subscribe and use the list.

I’ve interviewed several blogger reviewers. You can read those interviews at this link.

In this video, author Chris Fox describes his successful tactic of giving away a significant number of review copies to gain a spot in the top 20 in the Audible category. As I explain in this comment, I advise you against guaranteeing that every person requesting a free audiobook will receive one.

 

Advertising

BookBub has announced ChirpBooks, its audiobook promotion service for limited time price cuts. You need to distribute your audiobook through Findaway Voices in order to fulfill orders from Chirp because other distributors don’t allow you to set or change your audiobook price. You can submit a Chirp deal on this page. You can even promote your Chirp listing with a BookBub ad. This webinar explains how to apply for and maximize your Chirp deal. Both authors and narrators can even add “Follow Me on Chirp” buttons and icons to your web sites as described in this article.

This article shows 12 BookBub audiobook ads that they say achieved high click-through rates.

You can pay to advertise your audiobook in AudioFile’s Indie Press Showcase.

If you’d like to run Facebook ads for your audiobooks, Melissa Storm covers them in her paid course.

You can use the Bookfunnel service to advertise and deliver short audio to others. Delivery of complete audiobooks is still in beta.

 

Awards

In this article, audiobook narrator and columnist Ann Richardson explores many of the awards available for audiobooks. I want to highlight 2 awards programs to make you aware of their deadlines:

  1. The Call For Entries in the annual prestigious Audies competition, sponsored by the Audio Publishers Association, usually begins in late June.
  2. The Voice Arts Awards, presented by the Society of Voice Arts and Sciences, has entry deadlines (before late fees) running from May to August each year.

As Audie winners commented in this article, you can update your cover art to show the award designation and the audiobook’s description to include information about its awards.

 

Other Resources

When I was a guest on Stephen Campbell’s The Author Biz podcast to talk about audiobook marketing and promotion, I mentioned the ripple effect of BookBub ads for ebooks. As I demonstrate in this 3:03 video, Amazon has created technology called Whispersync that enables you to seamlessly go between the ebook and audiobook or even immerse yourself in both concurrently. Many avid listeners will acquire an Amazon Kindle ebook when it is free or heavily discounted in order to buy the Audible audiobook on Amazon at a lower price. In fact, the ripple effect is so high that the money made on the audiobook royalties following the promotion oftentimes pays the cost of the BookBub ad!

Audiograms are short videos that consist of an audio file added to a picture, like the one shown below. The visible audio wave on the image(s) can be attention-getting on social media. Be aware of the video duration limits set each social media platform.

http://www.karencommins.com/wp-content/uploads/2016/11/Dynamic-Laws-of-Prosperity-audiogram.mp4

In this article, narrator and publisher Steven Jay Cohen explains their use and a free audiogram generator named Headliner. I used the service Wavve.co to create the audiogram in this tweet. Wavve lets you create one 1-minute video per month for free; they offer a sliding scale of prices for additional videos. The site allows you to choose different shapes and colors for the wave form, and the support team was super responsive when I ran into an issue with the progress bar not lighting as expected.

You could include your audiograms or other audio samples in your messages sent to your mailing list. This article, which is aimed at podcasters, discusses that audiograms seem better at building brand awareness on social media more than generating click-throughs to the product.

You also could run a contest associated with a new release. This email from narrator Scott Brick gives a great example you could follow.

It’s important to size graphics appropriately for each site. To create interesting and unique images, you might want to use the graphics on BookBrush.com, which has various template book-related mock-ups, or Canva.com.

You could also make or hire someone to produce a video trailer to promote the audiobook. I’ve written text and created a trailer describing the audiobook and others like this one and this one where I used a snippet from the audiobook’s narration and timed the videos and images to go with it. You can share your videos anywhere you’d share an audiogram. Unless you already have lots of followers, though, be aware that getting eyeballs on your trailer could require its own marketing plan!

You might decide to hire someone to help you with specific marketing for your audiobook. Prolific narrator-turned-author Karen White offers an array of services and packages at her site HomeCookedBooks.com.

Members of the ACX Narrators and Producers group on Facebook may also want to check the FAQ in the group’s pinned post. I created the FAQ from that group’s discussions, and it contains 5 excellent discussions about audiobook marketing that may reveal additional tactics. Note that you must have a profile on ACX in order to join the group.

I also recommend that you join the Marketing Audiobooks Wide group on Facebook. Authors and audio rights holders discuss tactics that have worked for them.

Obviously, marketing is such a broad topic and is subject to one’s availability and creativity that I couldn’t possibly write about or include every idea. 

For instance, I don’t have much to say about Pinterest. I pin the audiobook cover on a board of my titles, and I like seeing which titles have been re-pinned. Authors and publishers also use Instagram and other sites to promote their titles.

Rather than being on every social media channel, I stick with the few I enjoy using. It takes time to build a following, and I hold to the belief that “scattered thinking leads to scattered results”!

You’ll find good examples of many tactics discussed in this post in this Bookbub article. Author Penny Reid described her experiences with using these ideas in this post on the BookBub blog.

By steadily employing multiple techniques from this page to promote your audiobooks over time, you’re sure to have consistent sales!

 

Filed Under: Audiobooks, Authors, Marketing Tagged With: ACX.com, Ann Richardson, Audavoxx.com, Audible, Audies, Audio Publishers Association, audiobook, AudiobookBoom.com, AudiobookJukebox.com, AudiobookVillage.com, AudioFile Magazine, BigHappyFamilyAudio.com, Bookbub, Bookfunnel.com, Booklist, BuildBookBuzz.com, ChirpBooks, Chris Fox, Cory Doctorow, Edelweiss+, Felicia Sparks, FindawayVoices.com, FreeAudiobookPromoCodes.com, Geeky Blogger, Headliner, HelpAReporter.com, HomeCookedBooks.com, InD'tale Magazine, Jeffrey Kafer, Karen White, Kickstarter, Libro.fm, Literate Housewife, marketing, Melissa Storm, Michele Cobb, NarratorsRoadmap.com, NetGalley, Paul Heitsch, PayHip.com, Publishers Weekly, reviews, Sandra Beckwith, Sarah Sampino, Scott Brick, SOVAS, Stephen Campbell, Steven Jay Cohen, Stripe.com, The Authors Biz, Viviana Izzo, Voice Arts Awards, Wavve.co

How to Afford Your Editor, Proofer, or Narrator TODAY

9 October 2015

An author recently wrote that her fans were demanding audiobooks, but she couldn’t afford to spend any money up-front for the narrator’s fee and other costs of production.

Narrators frequently bemoan the fact that, instead of narrating the next book, they are spending too much time editing an audiobook because they can’t afford to hire an editor.

I’ve previously written about our words being a self-fulfilling prophecy and encouraged you to think/write/speak what you WANT into being.

Thinking or saying “I can’t afford it” is often a knee-jerk reaction immediately offered by Resistance to keep you from taking action toward the good you seek.

If you’re among the people who frequently tell yourself “I can’t afford it”, I urge you to do this exercise, which I first wrote about in my review of Fabienne Frederickson’s Mindset Retreat last September.

[Read more…] about How to Afford Your Editor, Proofer, or Narrator TODAY

Filed Under: Audiobooks, Authors, Away From the Mic, Business, Law of Attraction Tagged With: affordability, Barbara Sher, Fabienne Frederickson, front, Joel Osteen, Law of Attraction, resistance

Setting Sail In Audiobooks: A Video For Authors

24 May 2015

In writing a response on author Elizabeth Spann Craig’s blog about tips for success on ACX.com, I realized I had been remiss in adding my latest video to my own blog!

Last fall, I spoke at the Georgia Romance Writers annual conference to help authors get started with creating audiobooks. I recently created a 41-minute video from that presentation which:

  • explores the audiobook landscape (beginning at 2:43)
  • explains reasons every author should produce audiobooks of their books (beginning at 7:23)
  • demonstrates Amazon Whispersync capability between an audiobook and Kindle ebook (beginning at 10:19)
  • offers specific tips about ways to write with audio in mind (beginning at 12:09)
  • advises the viewer about the audiobook production process and gives concrete information about using ACX.com to create an audiobook, including payment for production costs and distribution options (beginning at 22:04)

If you have questions or comments about the video or the audiobook production process, please leave a note for me on the blog!
 

Filed Under: Audiobooks, Authors, Business, Other Videos, Videos Tagged With: ACX.com, audiobooks, authors, Elizabeth Spann Craig, video, WhisperSync

Audiobook Marketing Ideas Twitter Chat

19 March 2015

On 18 March 2015, ACX hosted a Twitter chat about audiobook marketing with author assistant Kate Tilton. I used Storify to compile and categorize all of the tweets on this page so that the questions and answers are together.

Updated 12/21/17  Content moved to my Evernote account since Storify is discontinuing operation
 

Filed Under: Audiobooks, Authors, Marketing Tagged With: ACX, audiobook, Kate Tilton, marketing, Twitter chat

Dual Gender Narrations in Audiobooks

21 February 2015

An audiobook listener on Goodreads wrote recently:

“I’m hoping the powers-that-be realize this (and care) and we’ll see more audiobooks being narrated by dual-gender narrators.

And I don’t mean simply dividing up the chapters between a male and female narrator to read…I like the dialogue narrated by the relevant gender.”

I can tell you why most books have a solo narrator: COST.

I produced and co-narrated the 4-book Blue Suede Memphis mystery series (fun, cozy mysteries with romantic elements) where I voiced the narrative and all of the female parts, and a male actor (my husband Drew!) voiced all of the male parts — a narration style known as DUET.

A DUAL narration occurs where 2 actors narrate all the characters’ lines in the chapters associated with their main characters’ points of view.

While I love the sound of the finished product and agree that having both genders makes the production so much more interesting, it’s a very time-consuming and tedious process to create an audiobook this way.

First, you have to have production rights to even be able to do a multi-voice production. One mid-size publisher told me that we couldn’t use 2 voices on a particular book because they didn’t have the production rights for it. I guess the production rights allow you to make a play or movie from the book’s text and are somehow different than audio rights.

Next, you cast the 2 actors and must coordinate their recording schedules. If I weren’t married to my co-star, the scheduling step alone could have derailed the production. The schedule is less of a consideration when the narrators are reading whole chapters instead of performing dialogue.

Once the schedule is worked out, you turn to the cost of studio time, both for the recording and the editing/mastering. The Big 5 publishers can afford real-time studio hours in big cities for their high-profile, bestselling titles. Everyone else — small and mid-size publishers and indie authors — usually looks to control costs by casting narrators with home studios. Depending on the project, the editing might be done by the publisher, the narrator, or an editor sub-contracted by the narrator.

Normally, my rule of thumb is that it takes 2 hours in real time to record 1 finished hour and 3 hours in real time to proof/edit/master for 1 finished hour. With the books in this series, we spent at least an additional hour on both phases. A book that runs 10 hours with 1 narrator (or 2 or more narrators who read different chapters) therefore might require 50 hours in real time to record and edit. The same book with 2 narrators and interspersed dialogue might require 70 hours of production time.

Studio time isn’t the only cost consideration. I also have the opportunity cost of other projects or promotion that I can’t do when an audiobook requires more time than usual to complete.

In this series, I did all of the narrative portions and the female voices. I left airtime in the dialogue where male characters spoke. As Drew directed me, he mouthed his lines and cued me in for my next sentence.

Then, we switched places; I directed him as we recorded his parts:

  • I cued him by playing my audio in his headphones.
  • I pressed Record in the software.
  • He delivered his lines. Everything true of solo narration is true here, too, as far as re-recording to fix inflection, accent, flubs, etc. In fact, it may be harder to be the 2nd person because you’re kind of coming into the dialogue cold. I think that person has to work harder to connect to the text because they weren’t immersed in the story to that point.
  • I stopped recording before he spoke over my next line.
  • Sometimes we originally left too much time for his parts, sometimes not enough. Sometimes his delivery caused me go back to my part and re-do it to change some nuance.

As a result, editing the dialogue is EXTREMELY time-consuming. When I am narrating all voices, as is customary, I naturally leave the appropriate amount of time between characters. The editor is not constantly adjusting the timing to make the conversations flow smoothly and naturally. In these productions with true M/F dialogue, the editor’s job was even tougher given the timing issues.

Due to the considerable amount of time needed for this kind of production, I’m not too eager to produce another one. Instead, I’m looking for dual narration projects with 2-3 1st person POVs (romance or mystery) where each narrator is responsible for entire chapters.

Do you like hearing books with 2 narrators? Do you know of a book for which you’d like to hear a dual narration in the audiobook? Please leave a note in the comments!

Filed Under: Audiobooks, Authors, Business, Observations, Voice-Over Tagged With: 2 voices, audiobook, Blue Suede Memphis mysteries, dual narrators, male and female narrators, voiceover

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  • Authors, Can You Afford to Produce an Audiobook?
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  • A Narrator’s Look At Audiobook Marketing Part 2

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