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Karen@KarenCommins.com

Karen Commins

Award Winning

Atlanta Audiobook Share-rator™

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Business

Restaurant menus and your voice-over business

25 February 2009

If you follow me on Twitter (and if you don’t, what are you waiting for?), you might have seen these 2 recent tweets about restaurants and not realized they could contain significance to you as a voice-over talent:

Twitter O'Charleys.jpg

Twitter Chilis.jpg

Drew and I eat out several times a week. When I find something I like at a particular restaurant, I almost always order the same thing on each visit. For the longest time, my choice of chicken fingers was at Chili’s. I would ask them to cook the chicken using the Awesome Blossom batter, and I’d request the Blossom dipping sauce. The Blossom batter and sauce combo gave the chicken a real kick.

Last year, O’Charley’s introduced its Pretzel Crunch Chicken with dijon dipping sauce, and I had a new favorite restaurant for chicken fingers. In addition to a distinct taste, the pretzel coating added texture to the chicken. I would order the Pretzel Crunch Chicken practically every Sunday. We always ask for the same server, so I didn’t even have to place my order. She knew I wanted Pretzel Crunch Chicken.

You can imagine my tremendous shock disappointment to discover last week that not one but both restaurants removed from their menu the thing that I liked best at each place! To put my thoughts in perspective, let me share another recent tweet from Todd Schnick, a bright Atlanta marketer whose tweets and blog posts I enjoy:

Twitter Todd Schnick Wilson quote.jpg

Once I learned about O’Charley’s menu change, what did I do? I went back to Chili’s. Now that I know Chili’s has also removed the Awesome Blossom batter and sauce, I’ll be looking for some other restaurant to thrill me with a tantalizing flavor of chicken fingers.

If you’re waiting for a take-out order based on my restaurant experiences, here are two entrees for your consideration:

1) If you change your menu of available selections, you can expect your client list to change.

I stopped marketing my commercial demo in September 2007. Since that time — and not surprisingly — few people who have visited my web site have asked me to voice a commercial. I expect to receive regular inquiries about voicing radio and TV commercials once I complete my new commercial demo in April under Nancy Wolfson’s direction.

I don’t try to be all things to all people or market myself as a voice all projects from promos to phone prompts. However, I do think it’s important to have and market demos for each of your niche markets. If a prospective client visits your site, they will soon leave if they don’t see their particular area represented among your menu of voice-over demos. In fact, some voice actors even create separate web sites to address different types of clients.

2) It’s important to monitor your brand to know when your customers are talking about you. If possible, respond to their complaints, resolve problems and show good will.

Most marketers agree that it requires more time, money and energy to attract new clients than to retain existing ones. In addition, word of mouth is a powerful source of both referrals and refusals.

Although I posted my messages on a very popular social networking site, neither O’Charley’s nor Chili’s has responded to me. Even more surprising, GoDaddy.com didn’t respond to me on Super Bowl Sunday when I and dozens of others tweeted about GoDaddy’s sleazy ad that prompted me to immediately move — as in before the Super Bowl ended — the one domain that I had registered with them to another registrar.

Just as I’m not all things to all people, I also realize I can’t be in all places at once. One tool I use to monitor my brand is Google Alerts. I have created alerts for my name and all of my web site domains. I receive e-mails when Google finds my name or domain names across the web. Not only have I been notified when someone references me or links to one of my sites in their blog post, but I also have discovered an instance where someone has violated my copyright by re-posting one of my blog entries without attribution.

An added benefit to Google alerts is that you can create up to 1000 alerts for free and track anything you want. For instance, you may want to track job listings only within a particular web site without going to that site each day. You could enter an alert using the format

site:websitename.com voiceover

Note that you wouldn’t enter the leading http://www. for this syntax. Google provides extensive documentation to help you narrowly define your search terms. Also, be careful that you go to http://www.Google.com/alerts to set up your alerts. I saw another site that had a similar address but charged a monthly fee for the service.

I’ve been writing for a while, so I’ll stop now and head over to Twitter to see news from Todd Schnick and my other Tweeple. After all this discussion about chicken fingers, perhaps it’s time to try Zaxby’s for supper tonight.

 

Filed Under: Business, Marketing, Narrators, Voice-Over

5 keys to confident cold calling

18 January 2009

A couple of recent newspaper headlines from different cities gleefully state that you can make lots of easy of money as a professional voice talent after taking only a 2-hour introductory group class. According to these articles, a particular group of voice-over teachers seems to be traveling through the country and conducting these “if you can talk, you can break into voiceover and make fabulous money” seminars at community colleges.

I thought about writing a blog entry warning people about the false hopes generated by the headlines and the teaching company, but I decided against it. I don’t want to insist that someone considering a voice-over career must follow a certain path. Besides, who am I to predict the outcome of such a class? I suppose it could happen that someone is blessed with the most distinct voice, the most amazing cold-reading skills, the most transparent and authentic interpretation, and the most exciting contacts who are looking for a shining new star to voice their national TV commercial/e-learning project/PBS documentary/trade show video/major animated movie. A 2-hour class is certainly sufficient for this kind of person to be able to hang out the sign as a professional voice talent and have clients with unlimited checking accounts flocking to them with no effort.

For the rest of us, though, gaining work as a voice talent requires much more — more confidence, more training, more marketing and more relationships, which all require more time, money and effort on the part of the voice actor.

I started writing this entry on Friday, 16 January. When I got up that morning, the Atlanta temperature was a frigid 14 degrees. A good use of time on such a bitterly cold day — or any day when you have free time — is to work on your marketing plan, particularly making cold calls. (You knew there was a tie-in with the weather somewhere!)

When I decided to become a voice-over actor in the late 90s, I was perpetually excited during the process of making my demo. I then hit a brick wall when it came to marketing it. What good does a fab demo do me if I can’t make myself call people who not only might be interested in hearing it but actually willing and able to hire me?

The thing that propelled me to make the first call was the following passage that I read in Rick Crandall’s book 1001 Ways to Market Your Services…Even If You Hate to Sell:

Overcoming Your Cold-Calling Fears 

Cold calling scares all of us sometime. Ram Yellen deals with his fears by asking himself these questions:

1) What’s the worst thing that can happen if I make this call or proposal, or ask for a referral? (They can say no, no, a thousand times no! –or is that from a Victorian soap opera?)

2) What’s the best thing that could happen? (You could make a new, lifelong friend.)

3) What would I do if I knew that this person needed my services tomorrow?

— Pin up a picture of someone successful in your business and ask yourself what he or she would do in this situation. (If it’s a competitor, you can do it just to show them up!)

— Acknowledge the fear and do it anyway.

The bit about the Victorian soap opera cracked me up. Even now, I still have times when I feel fear or anxiety about making calls to pursue my voice-over career. I think about the “1000 times no” line, and it gives me courage (after I stop laughing!) to make the call.

I admit, though, that I still prefer to initiate conversations in writing or in person. The recipient of your calls could think that you don’t have any work. They may hold the perception that voice talent who are in high demand don’t have time to make prospecting calls.

Still, phone calls are sometimes necessary. For the times you choose to include phone calls in your marketing mix, here are 5 tips that will boost your confidence and courage:

1) Research the organization before deciding to call them.

Google is my friend. I can search for the type of organization and then find company web sites, on-line profiles on social networking sites and possibly news stories related to the target company. Many times, you can see portfolios of past work and get contact information. I can’t tell you how many phone calls and e-mails I have received from people who want to work for me as a voice talent. In those cases, I always know that the person has not done their research to identify the nature of my business. Good research will also move the phone call away from the “iceberg right ahead” category of cold call disaster.

2) With your research completed, identify some reason for the call.<

Repeat after me: “it’s not what they can do for me; it’s what I can do for them.” You may say you were updating your database, had a referral, saw they are members of a mutual professional group, etc. However, you don’t want to call and offer unsolicited advice about improving the business.

3) Write and rehearse a script that you will use when the other party comes on the line.

We voice talent always read from scripts, yet many people ignore this step when deciding to call potential clients. You want to state how you found them and be ready with a list of questions and/or a desired outcome for the call. A recent post in the Marketing Mix blog should give you fantastic ideas for a boilerplate script. Just like any voice-over script, you will want to practice it and possibly record it so that you can deliver it fluidly and easily.

4) Write another script for leaving a message.

You don’t want to be caught off-guard and leave a rambling message on voice mail. You also want to motivate the person to return the call. Saying something like “I have some information that may allow you to create an e-learning module at lower cost” is much more intriguing to the prospect than “I’m wondering if you ever need to use voice talent.” The second sentence is especially ineffective since it immediately indicates that you haven’t done your research.

Also, be sure to state your name and return number clearly at the beginning AND end of the call. How many messages have you heard where someone rushed through a message and then blurted out their name and phone number at the end of the call so fast that you had to rewind the message more than once to understand it? You don’t want to be one of those kind of people, do you?

5) Be prepared for follow-up actions.

Take careful notes during the conversation. You may have promised to send your demo or some information on the web, or you may hear some other action that you could take, like meeting them at an upcoming event. Track your needed actions with appointment entries on your calendar.

As you can see, even your preparation for your first prospecting call can require more time and energy than the 2 hours expended in an introductory voice-over class. Perhaps a more appropriate name for the traveling voice-over seminars would be:

“If you can talk, you can call people on the phone to discuss voice-over work with them, and you may even make some money as a professional voice talent if you have an outstanding demo and make enough calls to market it, being sure to do your research ahead of time.”

 

Filed Under: Business, Marketing, Narrators, Voice-Over

Creating your roadmap to success

31 December 2008

Future street sign.jpg

In my last blog entry, I wrote about the necessity of envisioning success in voice-over and creating a road map to reach your desired destination. Since it’s natural to look toward the future as we change to a new year, I thought you might appreciate 3 ideas that may help you draw your map.

You’ve already decided on a career in voice-over, but do you know how your voice fits in the industry? Many voice talent try to be all things to all people and end up frustrated by endlessly attending classes, creating new demos, and marketing to potential clients without first thinking of how every action should tie together and lead one closer to one’s goals.

You see, I know something about such frustration. Oh, sure, I’m radiating inner peace now (well, most days, anyway!), but I have a journal entry from 1 June 2003 in which I wrote:

Today’s word is frustrated. I looked in the dictionary and found the word describes ME.

I even modified the dictionary entry to include my picture and my name in the description. If you can’t read the highlighted portion, it says:

1 a: to balk or defeat in an endeavor b: to induce feelings of discouragement in Karen Commins

My voice-over career was the number 1 reason for my frustration that day. I wrote:

I could do so many things to further my voice-over career…I have so many good ideas for marketing and promotion — so many things I want/need to do, should/could do — but not enough time. I know I could book more gigs if I could….

You get the drift.

So what changed?

Frustrated -- journal page 6-1-03.jpg

After writing about my frustration, I next wrote:

I re-read Barbara Sher’s book I Could Do Anything If I Only Knew What it Was and saw her line that frustration should lead to action.

Which brings me back to my point today.

We’re all unique. No one else sees the world the way you do, and no one has your exact same vocal characteristics. Your experiences and thoughts will influence your script interpretations. The question for us then becomes one of marketing that unique voice and style to voice-over clients. Rather than being all things to all people — saying you’ll record everything from promos to phone prompts — I think it’s important to concentrate your efforts into some carefully-chosen specialty areas appropriate for your voice, interests, and personality.

I have mentioned previously that I keep many journals, including one for plans and ideas for my voice-over career. On 31 December 2003 (just 6 months after the entry about frustration), I started a New Year’s Eve journal. The idea is to write in it only the one time as a blueprint for the coming year. I am looking forward to writing it in later today.

I was very harsh on myself in 2003, 2004 and 2005; I labeled myself a failure for not accomplishing the many goals I had written the previous year. However, the entry for 2005 was a turning point because I developed a mission statement.

If you’ve spent any time in corporate America, you’ve probably seen a mission statement hung on a prominent office wall in a cheap $1.29 metal frame. I always rolled my eyes when reading these statements — that is, if the statement didn’t put me to sleep. They always seem to use “suit speak”, with words like leveraging our human resources to transform the cost structure of our stakeholder-facing enterprises. (Translation: We’ll utilize our employees’ skills to lower costs across the business.)

It’s like they used a MadLibs book to fill it out — you know where someone asks for a noun, an action verb and an adjective and then inserts them into the pre-printed sentence structure to create a nonsensical but highly amusing sentence. While still nonsensical, typical mission statements are anything but amusing. How is a worker supposed to know what to do on a daily basis in order to further the organization’s objectives when the words used to describe those objectives are meaningless?

However, I changed my mind about the usefulness of a mission statement when I created one for my voice-over business. On this day 3 years ago, I used the free on-line process offered by Nightingale-Conant. It prompts you to enter information about your unique characteristics and goals; you may need some time to really think about your answers.

Developing my mission statement gave me a clear starting point on my road map. On any journey, you need to get good directions. In maintaining a successful voice-over business, it’s vital that you research the industry and keep informed about trends.

In the Information Age, we have no shortage of ways to learn about voice-over trends, from blogs to podcasts to conventions. I received 2 e-mails yesterday that offer tidy summaries of the current industry status.

First, David Ciccarelli, one of the founders of Voices.com, sent me a message to let me know he has researched trends for voice-over in the coming year and published his findings in a free report. This report offers some extensive statistics about the demand and growth potential for various types of voice-over work, as well as demographics concerning the audiences and purchasers of voice talent. It would be very helpful to study this report when developing or updating your marketing plan.

The other message was from one of my teachers, the always insightful and entertaining Pat Fraley. Whenever I receive the same message from 2 sources who did not collaborate with each other, I know it is a road sign from the Universe to PAY ATTENTION! Pat sent a link to his latest free .MP3 lesson titled “A Bumper Crop”, which in many ways echoes the trends outlined in David’s report. In these days where financial bail-outs are the news topics every day, a voice talent might think that opportunities are shrinking. In his usual delightful manner, Pat discusses how companies react in slower economic times and offers direction and hope to voice talent for the coming year.

The final idea for your road map is to create your own work. I have previously written about the benefits of making your own work, especially if you are in between paid gigs. Another road sign that I saw just this week was contained in Bonnie Gillespie’s column The Actors Voice: Social Networking and Acting. The essay is a brilliant analysis of an actor’s (yes, including voice actors) effective use of social networking platforms in establishing and maintaining a professional brand. I highly recommend that you read it and apply her guidelines.

In that article are some links to her previous columns about the power producing your own work and the new business model in the entertainment industry. Bonnie’s final sentences in her current column encourage us all to put our voice out there so that prospective clients can hear us.

So, armed with your mission statement, some solid industry research and your commitment to create your own work, you are well on the way to success as a voice actor in 2009 and beyond!

Future street sign photo: Joe Gough, iStockPhoto

 

Filed Under: Business, Narrators, Voice-Over

25 reasons clients hire this voice talent

19 November 2008

Most of my articles in this blog pertain to working and marketing oneself as a voice talent. Today, though, I want to write to my potential clients. Sometimes you may need to persuade others in your organization to hire a professional voice talent instead of creating a recording using internal personnel. Here’s a way for you to spell it out for them!


V

oice-over
is my life’s passion!
I didn’t wake up one morning and decide to go into
voice-over because I thought I could earn some easy money. I can remember
being in 5th grade and knowing that voice-over is what I was meant
to do. I have been in voice-over since 1999, and I intend to be working in
voice-over for decades to come.

O

utstanding
ability to take and perform to your direction
. If you want a word or line
with different emphasis or characterization, I attentively listen to your
instructions and carry them out on the next take.

I

ntegrity.
I don’t agree to voice every project that is offered me. I believe in the
power of the word, especially the spoken word. If I don’t like the words that
would be coming out of my mouth, I won’t say them. You can feel assured my
voice would not tarnish the image of your business by being associated with
some other project that you might consider questionable.

C

haracter
reads are a specialty.
Two of my audiobooks required me to give a
distinct and unique voice to over 50 characters! I also have provided the voice for several characters in 2 videogames.

E

ducation.
I continuously invest in my education to maintain and improve my skills in
copy interpretation, script analysis, microphone technique, character
development and audio editing. I have studied voice-over with Nancy Wolfson, Jeff Freeman, Susan Berkley, Pat Fraley, Rich Jones, Judith Sullivan and Paul Armbruster. I also have taken a class on Pro Tools audio editing at the Art Institute of Atlanta. I’m currently studying Spanish at Berlitz so that I can perform your copy in another language.

O

ption
for assistance with script revision.
I have superior writing skills, as
evidenced by my BA in broadcast journalism and the publication of several
articles in national magazines.

V

ersatile
and pleasing vocal range and pitch.
My normal voice is a lower, resonant
pitch that is perfect for narrations in corporate America, but I can go up and down the scale and add characteristics to create
believable character voices.

E

veryone can talk, but not everyone can read aloud well, much less make themselves transparent in the process. As a professional voice actor, I can perform your script so that your audience concentrates on your content, not the manner in which it is performed.

R

ates
are attractive
. Many voice talent belong to a union, which sets rates based
on the type of work performed and its usage. The rates shown are for the
voice talent only and do not include studio time. I have flexibility in
setting rates, which always include my voice talent and production time.

S

tunning SOUNDPROOF studio. My studio is custom-built for recording, incorporating special soundproofing construction techniques. The room has no windows, 2 layers of ceilings with added
insulation, 2 sets of doors at each entrance with barrier space and 2 layers
of 5/8″ drywall covering the 2×6 walls. I record in a WhisperRoom for enhanced sound quality. In my pristine recordings, you won’t hear kids, dogs,
lawnmowers, computer fans, airplanes, thunder, cars or even paperclips as
background noises.

 

 

B

usy people don’t have time to read. I convert your copy into communication.

Y

ou won’t need to go through the process again of finding competent, reliable voice talent.

 

 

K

eeps your audience listening and interested. Need I say more?

A

lways
on time.
You won’t miss a deadline because you were waiting for me to finish your
recording.

R

esearch
is done prior to recording session.
For audiobooks, I read the book at least
once prior to recording it. I spend time to look up and learn correct
pronunciations of proper names.

E

quipment
is industry standard
. Instead of recording straight from a low-end microphone into the computer, I record on a Neumann TLM 103 mic connected to a
Voicemaster Platinum processor. I use Pro Tools LE with a Mbox on my Macbook
Pro computer. If necessary, I could exchange session files with any other
recording studio in the world.

N

umerous clients and credits, including: Popeyes Chicken and Biscuits, Pepsi Cola, ADP,
Verizon Wireless, Georgia Department of Transportation, Delta Airlines,
Multiple Sclerosis Association of America, BlueCielo ECM, Georgia Institute
of Technology, and Orkin.

 

 

C

redible
and creative actress
who delivers sensitive and well-timed copy even during
cold reads.

O

ffers custom auditions of your script for FREE.

M

ember
of Audio Publishers Association.
I maintain contact with audiobook publishers
and can direct you to resources that may assist you.

M

arketing
expertise is FREE.
I minored in marketing in college and am a perpetual
student of marketing books. I love marketing and am always happy to discuss
it!

I

nformation
technology narrations are a specialty.
I earned a MS degree in computer
information systems and worked over 20 years in IT positions including
programmer and LAN/WAN/e-mail administrator. I can perform scripts geared to
a technical audience with complete authenticity and believability since I
actually understand the words that are coming out of my mouth! 🙂

N

ot
all things to all people
. Would you hire a plumber to fix your air conditioner? Companies value those with expertise in an area, so why should the voice of your important presentation be left to someone who is not skilled in voice-over delivery? Even among voice-over projects, I am selective about those I will perform. For instance, if you want someone to record a movie trailer, I can refer you
to other talent. I specialize in audiobooks and narrations, including
podcasts, documentaries and corporate presentations. I also enjoy performing scripts
used in radio and TV commercials, as well as video games. I often voice the initial greetings and on-hold messages for phone systems, but I will not undertake telephony projects requiring hundreds of menu prompts or file conversions.

S

atisfaction
guaranteed!
I require 50% payment up front when beginning a project. If you
are not delighted with your recording, I will not invoice you for the
remainder. I don’t know of another voice talent who dares to make this
promise!

You may have noticed that I only listed 24 reasons that I should be your voice talent. The last is that I’m FUN! I see the use of humor as a mission-critical element in my voice-over business. Everyone is under enough stress, so I want to use humor to help people feel at ease. Contact me now so we can get started on your next project!

 

Filed Under: Business, Marketing, Narrators, Voice-Over

Social networking in voice-over

12 October 2008

In the attitude of silence,
the soul finds the path
in a clearer light,
and what is elusive and deceptive
resolves itself into crystal clearness.
Mahatma Gandhi

I am and have always been a voice-over actor in my soul. I am passionate about my work and cannot imagine my life if I didn’t express myself creatively behind the microphone. However, even with my boundless enthusiasm for and commitment to my voice-over work and clients, my soul also needs quiet time for nourishment and relaxation.

I feed my soul in several ways, both large and small. Most recently, I took a large portion by allowing myself to totally be on vacation while on a cruise.

Whenever we travel for pleasure, I notify agents and clients that I will be unavailable for recording within a range of dates. I have thought many times about taking a portable voice-over studio when I travel. In reality, though, my desires to travel lightly and enjoy fun, uninterrupted time with Drew coupled with the airlines’ increasingly smaller allowances for checked luggage have deterred me from including a portable studio with my baggage.

As a business owner, I always have a laptop on these trips. I check my voice mail and e-mail throughout my vacation so that I can quickly respond to potential clients. Since I’m usually paying high per-minute charges for phone and computer access, it’s easy to limit the time spent in those activities while on vacation.

I must also feed my soul in small ways during my regular working days, so I choose to limit time for all on-line activities, especially for social networking. I have read messages from many voice talent who seem to feel that they must have a presence on every social networking site. Perhaps my thoughts on these sites will be helpful to others.

The whole purpose of networking — whether face-to-face or in a virtual community — is to build relationships.

The number of voice-over blogs and social networking sites is dizzying. If you feel overwhelmed by choices, consider your goal and time available for each site before signing up for it. Do you only want name recognition, or do you want to develop in-depth relationships? Are you an introvert or an extrovert? Who do you want to reach, and where might those people hang out? Answering these questions will help you decide your approach to social networking.

Rather than merely having a presence on a site like MySpace, Facebook or any other site, I strive to be an active participant. I have discovered that once you join and connect to people on one site, they invariably want to connect with you on every other site for which they are a member.

I don’t see the value to connecting with the same people on every site. I also am not a person to collect “friends” or “contacts” simply for the sake of having a large number of names. Names on a screen lack meaningfulness to me unless I can get to know the person behind the name. Otherwise, it’s like collecting sea shells to pass the time while you’re on the beach and never looking at them again when you return home.

I was blessed with a fascinating and in-depth response to that entry from Evan Wright in which he compared voice-over work to the number of thriving Chinese restaurants in New York City. Evan pointed out a seemingly hidden benefit to subscribing to one or more of the casting sites:

“Your clientele will be attracted to you due to the “choices” on YOUR menu, in the sense that you have multiple methods in marketing your name and talent out there in the world.”

In other words, we shouldn’t dictate to our potential clients the manner in which they must find and communicate with us! By having multiple listings, we tap into the CLIENTS’ PREFERRED METHOD of communication and therefore stand a greater chance of conducting business with them.

From that standpoint, Dave and my friend Bob Souer really get it. They have linked with dozens of voice talents and created memberships on multitudes of sites so that potential clients can find them using the prospect’s preferred method of communication. In fact, I only know both of these gentlemen due to their Internet marketing. Their voice work is excellent, and they are very nice people. I have them on my short list for referrals should a client request a male voice talent.

I admire Dave and Bob for their time commitment in creating and maintaining all of those relationships. I suspect they may be extroverts, or people who are energized by other people.

I, on the other hand, am most definitely an introvert. I’m not at all shy, especially when it comes to self-promotion of my voice-over business. Being an introvert means that I draw my energy from solitary pursuits. A fascinating article about introverts in Atlantic Monthly perfectly sums up the views of this 25% of the population:

For introverts, to be alone with our thoughts is as restorative as sleeping,
as nourishing as eating.

In addition, I am well aware that my words in cyberspace will live on into perpetuity, so I choose to add to conversations only when I can provide a thoughtful, substantive comment. I also don’t have hours each day available for professional reading. For these reasons, I limit my blog subscriptions and site memberships.

At the moment, you will find me only on a select few social networking sites: LinkedIn, Twitter, and Voiceover Universe. I decided to use Twitter as a microblog, and I invite you to follow me. If you have looked at the Twitter site, it may seem like a lot of inane chatter of self-absorbed people who document their every stomach growl. Andrew Hedges wrote an insightful blog entry about Twitter stemming from a lively discussion on LinkedIn which may persuade you of Twitter’s merits.

Since I am an introvert, I am proceeding cautiously in following others on Twitter. If I see that a person posts their every movement and thought or tweets (writes) more than a few messages in one day, I will stop following them. With so many thoughts constantly streaming from a single person, I am likely to miss something of great interest from someone less prolific.

As an aside, I truly believe that a lot of people who are excessively using Twitter and other social networking sites are or soon will be suffering from a case of Internet addiction. I wouldn’t be surprised if the same group of people has or will experience cubital tunnel problems from cell phone addiction.

By consciously removing myself from the busy distractions of the cyber world, I nourish my soul with the quiet, reflective time of a mental vacation. With daily mental vacations and occasional physical ones, I am rejuvenated and more creative. Even more importantly, I have the quiet time to perceive the guidance I need to reach my destiny.

 

Filed Under: Business, Marketing, Narrators

Setting prices and getting paid

17 July 2008

I recently wrote about cleaning out my paper files. I tossed folders for voice-over clients who can’t pass my red velvet rope policy and, in doing so, created a vacuum for the clients whom I want to attract.

I looked at and made a decision about every piece of paper in my filing cabinets. I found an e-mail message that I sent to a client in 2002. I extracted the main portion below because I wondered if you have found yourself in a similar situation:

Hi, Clientname. When I agreed to do this project, you will remember that I cut my normal rate severely in order to work with you and establish an ongoing business relationship. I thought the script was in final form, so we did not discuss whether any changes to the narration would be included in the original fee.<

I have already spent about 3.5 hours on the narration, editing and transmission of the files, including resaving and resending the files in .mp3 format earlier this week [because the client originally specified .wav format on CD]. At my normal rate … this project would have cost $675 instead of the $150 to which we agreed. Because I am committed to providing you with high quality service and ensuring your total satisfaction, I will not request additional compensation for these edits. However, please be aware that I will be unable to perform future projects at the same low introductory price.

In reading my words today, I realize that I was dealing with a textbook definition of price-buyer. In addition to demanding more work than was originally agreed, the client never followed through on the promise of additional work. I don’t remember, but I believe I had difficulty in obtaining payment for the narration. Price-buyers are the same clients who can take months to pay you.

When confronted with client who does not pay promptly, I follow the advice that I read in advertising executive Donny Deutsch’s book Often Wrong, Never in Doubt: Unleash the Business Rebel Within:

 Howard Rubenstein, one of the top publics relations executives in the country…called [when Deutsch was about 60 days late with their payment] and said,“Donny, I see you guys are about two months back. Just understand, this is unacceptable for us.We need to be paid on the first of the month, and if that is a problem,we are not going to do business together.” Rubenstein showed me that he valued his service. He wasn’t shy about demanding to be paid because he knew he was providing a quality product at the right price.

From that moment on, I knew I would never lose the respect of a client by asking to be paid promptly. If I allow a client to pay late, what am I really saying? One, that I am not as good as my word, andtwo, maybe what I am providing to the client is not as good as I say it is. If you don’t value it, how will they? The same holds true for offering to cut one’s price.How valuable is your product if you’re willing to discount its value?

To underscore Deutsch’s last statement, Larry Steinmetz, author of How to Sell at Margins Higher Than Your Competitors: Winning Every Sale at Full Price, Rate, or Fee, declares that when you cut your price, you are the one who BLEEDS!

As evidenced by the first line in the e-mail that I quoted, I have had my share of painful, undervalued projects! In my maturation process as a voice artist and business person, I have learned that my experience, education, studio and services all have a value. I now include my payment policies with my written quote. I am blessed with clients who appreciate my service and pay promptly for it. I gratefully welcome them through the red velvet rope!

 

Filed Under: Business, Narrators, Voice-Over

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