• Skip to main content
  • Skip to primary sidebar

Karen@KarenCommins.com

Karen Commins

Award Winning

Atlanta Audiobook Share-rator™

  • Home
  • Demos
  • Titles
  • Reviews
  • Videos
  • Blog
  • About Me
  • Contact
  • Shop

Marketing

Press Page

9 January 2017

Last updated 19 January 2024

 

 

Interview Key on computer keyboard

 

To learn more about me, my narration, and audiobook production, please check out my comments and interviews on other sites:

 

Narrators Cup of Joe with host Daniela Acitelli

1/18/24 If Not This, What Else? You Never Know How Close You Are To What You Seek! with Anne Flosnik


10/5/23 10 Minutes with Joc with Jocqueline Protho


Audiobook Lovin’ Podcast with host Viviana Izzo

9/29/23 Season 5, Ep 3 Narrator Karen Commins


Narrators Cup of Joe with host Daniela Acitelli

12/8/22 People Spend More Time Planning Their Vacation Than They Do Planning Their Lives!


Clubhouse Narrator Focus with hosts Danielle Gensler and Alex Picard

10/27/22 Time Management

 

 


The Audiobook Club podcast with host John York

10/22/22 Karen Commins, Chief Cartographer of Narrators Roadmap & Audiobook Narrator

 

 


Clubhouse 

9/16/22 My Ask Me Anything

 

 


Audiobook Reader’s Review podcast with host Sarah Bacaller

8/1/22 Episode 2

 

 


Clubhouse Audiobook Industry Chat with hosts Stephanie Németh-Parker and Amanda Stribling

6/21/22 Public Domain Audiobooks

 

 


Clubhouse Ask an Audiobook Pro with hosts Hillary Huber and Vikas Adam

3/14//22 Narrator’s Roadmap

 

 


Narrators Cup of Joe with host Daniela Acitelli

10/5/21 What You Focus on Is Important So Focus On What You Want, Not What You Lack


ACX blog

6/8/21 Celebrating 10 Years of Storytellers: Narrator Karen Commins

 


The Journal

12/11/20 I was mentioned in the article Instructional writer reads, reviews all 940 bestselling novels of 20th century.

 

 


Wall Street Journal

11/1/20 The Secrets To Success as an Audiobook Narrator by Kate Murphy
The journalist quoted producers, publishers, and several narrators in this piece. Since I’m not a WSJ subscriber, I can’t see beyond their pay wall. I therefore researched ProQuest at my library and saved this PDF of the article.


 

VoyageATL 
4/29/20 Meet Karen Commins

 


Audiobook Narration For BeginnersAudiobook Narration for Beginners Podcast
Fellow narrator J. Rodney Turner hosts this podcast to help newcomers learn about audiobook narration. Audiobook narration is my favorite subject!

 

7/1/19 Episode 26: Karen Commins – Part 1
7/8/19 Episode 27: Karen Commins – Part 2
7/15/19 Episode 28: Karen Commins – Part 3


Georgia Radio Reading Service
4/17/19  I’m honored to be highlighted in the April 2019 newsletter as Volunteer of the Month.


ACX University
11/2/18 Acting With Intention
In this 16:31 video, I talk about setting career goals and staying motivated as you continue on your path. In the concurrent chat, I offered resources and answered many questions. You can find all of that ancillary material in this post.


The Audiobook Speakeasy Podcast

7/23/18 Episode 26: Karen Commins
Host Rich Miller is also an audiobook narrator, so it was a special delight to have a drink together and discuss all things about audiobooks in this 1:03.51 show.


The Postcardist

The Postcardist Podcast

6/22/18 Episode 22: Greetings From Karen Commins
In this fun and interesting 59:11 show, host Frank Roche and I talk about how I use postcards in marketing my business and so much more!


Build Book Buzz
4/4/18 How To Promote Your Audiobook
In this guest post, I answered 8 questions about audiobook marketing.


Spin Sucks
12/18/17 The Big Question: Audiobooks vs Reading
I explain 2 factors I use to determine whether I listen to or read a book for pleasure.


Animatron
11/29/17 4 Awesome Examples Of Social Media Contests (+ Tips How To Run Your Own Contest)
Hint: I entered a contest for a reason other than the prize.


Acuity Training
9/12/17 Adobe Productivity — 69 Experts Reveal Their Top Tips
I always say technology is my friend, and I offer 2 tips here: 1 on Photoshop, and 1 about Adobe Export PDF


Business News Daily
6/15/17 Evernote: 7 Features You Should Be Using


FanGirlNation Magazine
5/24/17 Interview With A Narrator: Karen Commins


The Author Biz podcast

1/30/17 Marketing and Promotion for Audiobooks, episode TAB104
Author and host Stephen Campbell and I talk about ways authors can promote their audiobooks.


Stacy Juba, author of Fooling Around With Cinderella
1/5/17 Part 1 about me as a person
1/7/17 Part 2 about the audiobook production process


The James Altucher Report, Dec. 2016 (private subscription)


Amy Metz, author of Murder & Mayhem in Goose Pimple Junction
10/14/16 part 1 about me as a person
10/20/16 part 2 about the audiobook production process


East-West Audio Body Shop webcast with hosts George Whittam and Dan Lenard
6/22/15 EWABS Episode 193 Audiobook Roundtable


Wendy Pitts, fellow narrator
3/5/15 Monthly Mentoring column


April Holgate audiobook listener/reviewer
12/30/15 Update
12/28/14 Original Interview


Advertising Age Magazine

2/15/10
I responded to an editorial about Super Bowl ads and noted that those without voiceover were not as effective.


LibriVox Community Podcast

12/19/08 Episode 93  Starting at :28, I talk about getting started as a volunteer reader.


The Publicity Hound blog

1/28/07
I advised a voiceover talent who wanted to know actions they could take to market themselves.

 


Kiplinger Personal Finance Magazine

June 2006
I was profiled in a story about home improvements after we learned some hard lessons about contractors in building an addition on our house for my studio.

 

 

Filed Under: Audiobooks, Marketing, Narrators, Press Room Tagged With: Adobe, Amanda Stribling, Amy Metz, Anne Flosnik, April Holgate, Basil Sands, Clubhouse, Dan Lenard, Daniela Acitelli, Evernote, FanGirlNation, Frank Roche, George Whittam, Hillary Huber, interview, Jocqueline Protho, Narrators Cup of Joe, Postcardist, Stacy Juba, Stephanie Németh-Parker, Stephen Campbell, Vikas Adam, Wendy Pitts

How to use Karen Commins’s Audiobook Twitter lists

27 November 2016

You can easily find other audiobook publishers, bloggers, narrators, and enthusiasts by signing into Twitter and subscribing to one or more of my 4 comprehensive lists of audiobook tweeps. I believe that I have developed the most thorough lists of audiobook folks on the Internet! I continue to update these lists as I learn of people who should be included.

Each Twitter list is for reading tweets from a curated group of people. You can’t tweet to the list.

Its usefulness lies in the fact that all of these people are grouped together in one place. You’ll be able to stay focused on audiobooks and correspond with audiobook folks without following all of them individually.

  • Audiobook Narrators
  • Audiobook Publishers
  • Audiobook Blogs and Reviews
  • Audiobook Podcasts
  • All Audiobooks includes industry professionals from all areas of the business (publishers, narrators, bloggers, reviewers)

To subscribe to any of my Twitter lists:

Using your browser, login to Twiitter.
Click on one of the links above.
From the List page, click Subscribe to follow the list.

You can follow lists without following the individual accounts in that list.

How to find and contact audiobook reviewers on the list

If you click on Members, you can see the description of their Twitter profile. (See the picture.) You may be able to tell at that point whether they are a good candidate to review your book.

You also can click on each one and see their tweets and link to their web site.

Once on the reviewer’s web site, you can look at their review policies and get their email address. This page from the Geeky Blogger’s Book Blog outlines details you’ll want to include in your pitch.

The publisher list has over 100 employees from various audiobook companies. The list makes it easy to reply to and/or retweet them, which is a soft and convenient way of keeping your name in front of them!

I hope this info helps! I encourage you to create your own lists of authors and others who are important to your career. You can choose to make your lists private or public. If you have other questions about Twitter lists, check out this page from the Twitter help center.

If you’d like more tips about being organized for success, check out my blog article Putting the “I’ In OrganIzed, I use Evernote.com as my info and idea storehouse. If you decide to get an Evernote account, I’d love it if you used my referral link.

 

Last updated 8/14/20 to change to new Twitter URLs

6/11/19 to include link to podcasts

19 June 2018 to correct a link, include a comment about the publisher list, and add a couple other explanatory lines

1 December 2017 to include links to Literate Housewife and Geeky Blogger’s Book Blog

 

Filed Under: Audiobook Bloggers, Audiobooks, Marketing, Narrators

Karen Commins’s Audiobook Marketing Cheat Sheet

27 November 2016

Last updated 16 April 2025


Don’t you just LOVE to market your audiobooks?

I think many people would answer an emphatic NO! to that question, in part because they feel uncertain how to proceed.

This page will give you plenty of creative ideas for promoting your audiobook!

Before we get to those ideas, I want to point out that the author and publisher should do most of the marketing and promotion of the title. Even on royalty share contracts, the narrator’s role in and effect from promotion is minimal. Narrators typically have larger portfolios than authors and have shorter deadlines, making it impractical for a narrator to do prolonged and/or substantial marketing on individual books.

I hold the view that the best long-term marketing any narrator or author can do is to narrate or write their next book. Being prolific in your field improves your skills, builds the fan base of buyers (with sales and royalties to follow), and always gives you something new to promote.

In addition, authors and publishers would do well to spend the bulk of their time and money in promoting the BOOK rather than a particular edition of it. Some of the methods on this page will work very well for promoting the book, while others will help you give the audiobook greater visibility, at its release and beyond.

Visibility is the key to strong sales.

Why do audiobooks need greater visibility? I answered that question and many more in the interview I gave to Sandra Beckwith at BuildBookBuzz.com. This interview is a good place to start when you’re developing a marketing plan for your book and audiobook.

 

Distribution Channels

Many authors are expanding their distribution platforms to offer their audiobooks on as many sites as possible. The number and variety of distributors is increasing. Each offers different royalty rates, sales data update frequencies, payment frequencies, and promotional support. You may not be able to publish under your company name.

You need to do your research and pick the distributor(s) that best serve your goals. Note that you can be non-exclusive with ACX/Audible and concurrently distributing on other sites. Some to consider are:

  • ACX.com
  • BigHappyFamilyAudio.com
  • FindawayVoices.com
  • Ingram.com
  • PublishDrive.com
  • SpokenRealms.com

I examined 6 popular distributors across 22 points and offered my recommendations in my Audiobook Distributor Comparison Chart, available exclusively to members of my NarratorsRoadmap.com site. 

Some authors are selling audiobooks from their own site. They use a service like Stripe.com or PayHip.com to process the payment and BookFunnel.com to distribute them.

Even if your audiobook is only available as a digital download, you can still sell it through independent bookstores (as long as you have not signed any exclusive distribution agreements) by distributing it through Libro.fm. This article outlines a number of ways that Libro.fm helps booksellers promote your audiobook. You can even become a Libro.FM affiliate and earn commissions on your sales.

Libraries are important for both discovery and sales of your books. The report on this site discusses libraries’ impact on buying and consumers’ relations with books.

Book store and libraries are looking for programming and may be willing or even eager for authors to give a talk in person or in a livestream video. If you want to do a signing but only have digital editions of your book, you could get postcards printed with your book cover and blurb.

 

Author Mentions

My article in the February 2016 issue of InD’tale Magazine, “6 Low-Cost Avenues For Greater Audiobook Sales” lists 7 ways authors can mention their audiobooks on their sites and in their newsletter mailing list (you ARE developing and maintaining a mailing list, aren’t you? Check out this 4/27/23 Bookbub author survey for info and ideas!), references my 2 ACX articles below and offers even more promotional and marketing ideas: AudiobookBoom.com (discussed below), Whispersync (explanation and video below in Other Resources), QR codes, podcasts (see this article for a case study), and radio shows.

Author Melissa Storm created this video that shows her attractive sales buttons on her site and her links on Soundcloud. She also discusses email automations to send info about your audiobooks to your mailing list.

The best type of author mention might be a Kickstarter project to secure funding to produce the audiobook! While you might not have Cory Doctorow’s reach or results, you can learn from his 3/31/23 article in Publishers Weekly.

 

Social Media and Other Tactics

I had the pleasure of being a guest writer on the ACX.com blog to discuss audiobook marketing in depth. Both articles and their comments include examples from other narrators and me.

In Part One, I explained some reasons why people are resistant to listening to audiobooks. I then offered 3 ways to make your audiobooks more discoverable to an audience, with related tactics for each:  be authentic, be consistent, and be creative.

Note that the category of being consistent includes the idea of creating an annual promotions calendar so that you have reasons to promote the audiobook at times other than the release day. I talked about my promotions calendar as one of my narrator hacks on the APA Webcast in Sept. 2020, which APA members can view on the APA site. As you can see in the picture below, my promotions calendar includes my bi-weekly newsletter to NarratorsRoadmap.com members and bi-monthly newsletter to my mailing list. I insert info about my new releases and upcoming projects in the newsletters to my mailing list.

You might be interested to read this article to see how I promoted a book 8 years after the release date based on something in it.

 

 

Part Two contains 4 more ways to promote your audiobooks, including marketing based on any locations in the book. I offer some very specific tactics on 5 social media sites (Goodreads, Twitter, Soundcloud, Facebook, YouTube) such as instructions about adding the audio edition to Goodreads and subscribing to my Twitter list of audiobook reviewers and bloggers. Be sure to read my comments for updated info about the Goodreads process. This page gives more detailed instructions about subscribing to and using my Twitter lists to find reviewers.

I created an Evernote check sheet of my minimal publicity actions, which you can view here.

This post from Kate Tilton lists 25 ideas from a March 2015 ACX Twitter chat about audiobook marketing tactics. It includes my organized Storify recap with threaded Q&As.

ACX published a great article on their blog highlighting 7 successful tips and tactics from authors interviewed at 2015 Romantic Times and BookExpo conventions.

You’ll find a growing number of groups of audiobook fans on Facebook. Be sure to read their rules and post promotions only where allowed. A few are listed below, but you can search Facebook for more generalized and genre-specific groups relevant to your topic.

  • Audiobook Addicts
  • Audiobook Lovers
  • Audio Books!
  • Audio Books Rock!
  • Aural Fixation

You can sign up to receive the free, 3-times-daily alerts from journalists who are looking for sources for stories at Help A Reporter. I especially encourage non-fiction authors to take this step because it’s a great way to share your expertise of your topic with the media. However, fiction authors and narrators still have many opportunities to pitch their ideas and experience as a source. Review their rules for sources before responding to any of the queries. If a journalist uses your information, you can increase your publicity by sharing your media coverage as I did in this Facebook post.

 

Audible Tools

Share the link to your audiobooks listed on Audible in the most favorable light to you as I explained in this article.

You can add the Audible sample of your audiobook to your web site and social media. If you don’t have the file, you can use this free, nifty utility from narrator Steven Jay Cohen to extract the MP3 sample file from Audible’s site.

If you published your audiobook using ACX, be sure to use the bounty referral links found in your dashboard each time you post about your audiobook.

This article on the ACX blog shows you how to create a 30-day free Audible trial. The free trial may lead to an ACX bounty payment!

Once you have the audiobook in your Audible library, Audible lets you send it for FREE to as many people as you wish! The catch is that each person can only receive 1 book for free. After that point, they have to pay for books sent to them.

Best of all, Audible has created Author pages that take information from Author’s Central on Amazon. This post in the ACX blog explains how to find and share your Author page.

Per this 2019 article on The Verge, ver 100 million Amazon Alexa units have been sold worldwide. This site notes that Amazon Echos have more than 50% of the smart speaker installation base in the US. Not surprisingly, Audible has a list of audiobook-related Alexa commands.

‪
Reviews

On my AudiobookVillage.com site, you can access my exclusive Reviewers Directory that is searchable by genre and sub-genre and contains contact info, review policies, a link to a sample review and more info for each reviewer.

Publishers and authors can pay to distribute review copies to stores, libraries, journalists, and bloggers through Edelweiss+ and NetGalley.

The Literate Housewife blog offered these tips about submitting requests for reviews. This page from the Geeky Blogger’s Book Blog outlines additional details you’ll want to include in your pitch.

This blog post contains my Storify of an ACX chat about submitting your audiobooks to the premiere industry publication AudioFile Magazine for review. You can access their Review Consideration form here and from the Contact Us page on the AudioFile website.

Library Journal is a major influencer in library sales, as is the Booklist site and magazine from the American Library Association.

Publishers Weekly discontinued its audiobook reviews but started including audio clips with web reviews of the print book. Contact the person named in this article if you’re interested.

AudiobookJukebox.com is an incredible site that indexes thousands of audiobook reviews for all genres. You only have to fill out a simple form to request a review. Reviewers can check the list and request your title if they are interested in it.

AudiobooksUnleashed.com is the brainchild of narrator Sarah Sampino. She automated the fulfillment process of promo code distribution. You load your codes on the listing page, and the site gives one to each listener requesting the audiobook. You can even re-load the codes. A nice value-add is the addition of your mailing list sign-up form.

A similar code fulfillment site AudioFreebies.com created by narrator Amy Soakes allows you to specify whether your promo codes are ACX/Audible or FindawayVoices/AuthorsDirect.

The popular FreeAudiobookCodes.com site (formerly known as AudiobookBoom.com) was developed by audiobook narrator Jeffrey Kafer. It’s like BookBub but is for audiobook promotion. You can advertise your audiobook on this site and use your ACX promo codes to give copies of your audiobook to eager listeners in exchange for a review.

Thanks to the efforts of narrator and audiobook columnist Ann Richardson, InD’tale Magazine accepts audiobooks for review.

Fellow narrator Paul Heitsch created this document that lists sites for audiobook reviews. This Google doc of Audiobook Marketing Resources lists additional reviewers and was created for a panel at the 2017 Romantic Times Convention by narrator Karen White, bloggers Felicia Sparks and Viviana Izzo, and Michele Cobb, the executive director of the Audio Publishers Association.

You can find other reviewers and bloggers on Twitter by subscribing to my Twitter list of audiobook reviewers and bloggers. This post shows you how to subscribe and use the list.

I’ve interviewed several blogger reviewers. You can read those interviews at this link.

In this video, author Chris Fox describes his successful tactic of giving away a significant number of review copies to gain a spot in the top 20 in the Audible category. As I explain in this comment, I advise you against guaranteeing that every person requesting a free audiobook will receive one.

 

Advertising

BookBub has announced ChirpBooks, its audiobook promotion service for limited time price cuts. You need to distribute your audiobook through Findaway Voices in order to fulfill orders from Chirp because other distributors don’t allow you to set or change your audiobook price. You can submit a Chirp deal on this page. You can even promote your Chirp listing with a BookBub ad. This webinar explains how to apply for and maximize your Chirp deal. Both authors and narrators can even add “Follow Me on Chirp” buttons and icons to your web sites as described in this article.

This article shows 12 BookBub audiobook ads that they say achieved high click-through rates.

You can pay to advertise your audiobook in AudioFile’s Indie Press Showcase.

If you’d like to run Facebook ads for your audiobooks, Melissa Storm covers them in her paid course.

You can use the Bookfunnel service to advertise and deliver short audio to others. Delivery of complete audiobooks is still in beta.

 

Awards

In this article, audiobook narrator and columnist Ann Richardson explores many of the awards available for audiobooks. I want to highlight 2 awards programs to make you aware of their deadlines:

  1. The Call For Entries in the annual prestigious Audies competition, sponsored by the Audio Publishers Association, usually begins in late June.
  2. The Voice Arts Awards, presented by the Society of Voice Arts and Sciences, has entry deadlines (before late fees) running from May to August each year.

As Audie winners commented in this article, you can update your cover art to show the award designation and the audiobook’s description to include information about its awards.

 

Other Resources

When I was a guest on Stephen Campbell’s The Author Biz podcast to talk about audiobook marketing and promotion, I mentioned the ripple effect of BookBub ads for ebooks. As I demonstrate in this 3:03 video, Amazon has created technology called Whispersync that enables you to seamlessly go between the ebook and audiobook or even immerse yourself in both concurrently. Many avid listeners will acquire an Amazon Kindle ebook when it is free or heavily discounted in order to buy the Audible audiobook on Amazon at a lower price. In fact, the ripple effect is so high that the money made on the audiobook royalties following the promotion oftentimes pays the cost of the BookBub ad!

Audiograms are short videos that consist of an audio file added to a picture, like the one shown below. The visible audio wave on the image(s) can be attention-getting on social media. Be aware of the video duration limits set each social media platform.

http://www.karencommins.com/wp-content/uploads/2016/11/Dynamic-Laws-of-Prosperity-audiogram.mp4

In this article, narrator and publisher Steven Jay Cohen explains their use and a free audiogram generator named Headliner. I used the service Wavve.co to create the audiogram in this tweet. Wavve lets you create one 1-minute video per month for free; they offer a sliding scale of prices for additional videos. The site allows you to choose different shapes and colors for the wave form, and the support team was super responsive when I ran into an issue with the progress bar not lighting as expected.

You could include your audiograms or other audio samples in your messages sent to your mailing list. This article, which is aimed at podcasters, discusses that audiograms seem better at building brand awareness on social media more than generating click-throughs to the product.

You also could run a contest associated with a new release. This email from narrator Scott Brick gives a great example you could follow.

It’s important to size graphics appropriately for each site. To create interesting and unique images, you might want to use the graphics on BookBrush.com, which has various template book-related mock-ups, or Canva.com.

You could also make or hire someone to produce a video trailer to promote the audiobook. I’ve written text and created a trailer describing the audiobook and others like this one and this one where I used a snippet from the audiobook’s narration and timed the videos and images to go with it. You can share your videos anywhere you’d share an audiogram. Unless you already have lots of followers, though, be aware that getting eyeballs on your trailer could require its own marketing plan!

You might decide to hire someone to help you with specific marketing for your audiobook. Prolific narrator-turned-author Karen White offers an array of services and packages at her site HomeCookedBooks.com.

Members of the ACX Narrators and Producers group on Facebook may also want to check the FAQ in the group’s pinned post. I created the FAQ from that group’s discussions, and it contains 5 excellent discussions about audiobook marketing that may reveal additional tactics. Note that you must have a profile on ACX in order to join the group.

I also recommend that you join the Marketing Audiobooks Wide group on Facebook. Authors and audio rights holders discuss tactics that have worked for them.

Obviously, marketing is such a broad topic and is subject to one’s availability and creativity that I couldn’t possibly write about or include every idea. 

For instance, I don’t have much to say about Pinterest. I pin the audiobook cover on a board of my titles, and I like seeing which titles have been re-pinned. Authors and publishers also use Instagram and other sites to promote their titles.

Rather than being on every social media channel, I stick with the few I enjoy using. It takes time to build a following, and I hold to the belief that “scattered thinking leads to scattered results”!

You’ll find good examples of many tactics discussed in this post in this Bookbub article. Author Penny Reid described her experiences with using these ideas in this post on the BookBub blog.

By steadily employing multiple techniques from this page to promote your audiobooks over time, you’re sure to have consistent sales!

 

Filed Under: Audiobooks, Authors, Marketing Tagged With: ACX.com, Ann Richardson, Audavoxx.com, Audible, Audies, Audio Publishers Association, audiobook, AudiobookBoom.com, AudiobookJukebox.com, AudiobookVillage.com, AudioFile Magazine, BigHappyFamilyAudio.com, Bookbub, Bookfunnel.com, Booklist, BuildBookBuzz.com, ChirpBooks, Chris Fox, Cory Doctorow, Edelweiss+, Felicia Sparks, FindawayVoices.com, FreeAudiobookPromoCodes.com, Geeky Blogger, Headliner, HelpAReporter.com, HomeCookedBooks.com, InD'tale Magazine, Jeffrey Kafer, Karen White, Kickstarter, Libro.fm, Literate Housewife, marketing, Melissa Storm, Michele Cobb, NarratorsRoadmap.com, NetGalley, Paul Heitsch, PayHip.com, Publishers Weekly, reviews, Sandra Beckwith, Sarah Sampino, Scott Brick, SOVAS, Stephen Campbell, Steven Jay Cohen, Stripe.com, The Authors Biz, Viviana Izzo, Voice Arts Awards, Wavve.co

3 Take-aways from APAC 2016 and 2 Networking Tips

30 May 2016

The Audio Publishers Association Conference (APAC) is an annual event held on the the day before BookExpo America, the largest trade show for the publishing industry. This year, APAC was held in Chicago on Tuesday 10 May.

I debated about listing all of the panelists’ names below as I believe in giving credit where it’s due. I decided not to include the names because a main value in attending the conference is to meet and learn from people who are in a position to hire narrators. My freely sharing all that was said and the names and positions of those influential people would not be fair to the narrators who paid the conference and associated travel costs.

Instead, I’ll share 3 of my take-aways from the day and offer 2 ideas to help you plan for future similar networking opportunities.

[Read more…] about 3 Take-aways from APAC 2016 and 2 Networking Tips

Filed Under: Audiobooks, Away From the Mic, Business, Marketing, Narrators Tagged With: Ann M Richardson, APAC, Audio Publishers Association, front1, networking, Yoel Flohr

Audiobook Marketing Ideas Twitter Chat

19 March 2015

On 18 March 2015, ACX hosted a Twitter chat about audiobook marketing with author assistant Kate Tilton. I used Storify to compile and categorize all of the tweets on this page so that the questions and answers are together.

Updated 12/21/17  Content moved to my Evernote account since Storify is discontinuing operation
 

Filed Under: Audiobooks, Authors, Marketing Tagged With: ACX, audiobook, Kate Tilton, marketing, Twitter chat

Interview with Audiobook Blogger Rebecca M. Douglass

23 February 2015

Authors and narrators greatly appreciate the people who take the time to listen to our audiobooks and then write thoughtful reviews. In this second installment of the series, I’m excited to interview audiobook blogger Rebecca M. Douglass from The Ninja Librarian to find out about her review interests and process.

Rebecca’s Bio:

Rebecca M. Douglass is an author and blogger with eclectic tastes, from children’s books to murder mysteries and non-fiction examinations of the natural world. She writes middle-grade fiction and adult murder mysteries and promotes her own work and that of other writers on her blog, largely in the form of reviews of anything and (nearly) everything she reads. Her own work maintains a humorous touch, whether it is the tall tales of the Ninja Librarian books or the absurdities of life on Pismawallops Island in Death By Ice Cream, or the wide variety of short stories published on her blog. Ms. Douglass writes from her home near San Francisco, which she shares with her husband and two teenaged sons, which is enough to drive anyone to invent new worlds to inhabit.

10 Questions For Rebecca

 

1. When did you start listening to audiobooks?

I have been listening to audiobooks for a long time, and don’t recall just when I started. I’m sure it’s been at least a dozen years. I listen when exercising, or when doing housework, which I detest but will do for the sake of continuing to listen to a good story. I began listening back in the days of cassette tapes and then CDs. My itty bitty MP3 player is a huge improvement!

2. What prompted you to start writing audiobook reviews?

I’ve been writing reviews for a couple of years now, and it never occurred to me to make a distinction between books I read and books I listened to, so I just naturally reviewed audiobooks. But I soon realized that I did need to comment, at least, when I’d used the audiobook, and that a mention of the quality of the audio and narration would be helpful to listeners. So I have gradually begun making two-pronged audio reviews.

3. Where do you write your reviews? If it’s a public place, why did you choose it? If it’s at home, describe the room and/or stuff on your desk. A picture would be fabulous!

I do almost all my writing at home, and all I will say about my desk is that I share it with my 15-year-old son…and he nags me to clean up my side of it. We have a somewhat chaotic little den (less chaotic since the teen cleaned it up recently), which contains a huge partner desk and a bunch of bookcases, full of classics, my favorite children’s books, and books on writing. I have a lot of inspirational quotes from author Chuck Wendig on my wall, because even though they tend to be profane, they are also profound. But I’m not sharing a picture of my chaos. No way.

4. How do you decide whether to read a book or listen to it? Do you ever do both for the same book?

I usually pick my audiobooks from whatever I stumble on in the library catalog, though sometimes I will select something because I love the narrator or because it’s the only copy available at the moment when I want it. I do often listen to and read the same book, though not at the same time—I might choose to listen to something I have enjoyed in the past, just to get a different take on it, or I might find and read a book I’ve listened to because I want to pick up what I might have missed when distracted while listening. I find that books are very different when read or heard.

5. Do you have a go-to genre?

Cozy mysteries form a large part of what I listen to, and I also do a lot of middle-grade books, though they can be hard to find.

6. What is your review policy? Do you accept review requests from narrators?

I do accept review requests, but I probably turn down more than I accept. I need to actually want to read the book, as I am foremost a writer of fiction, and my reading is for pleasure, when it’s not for research or to improve my craft. So I try to be sure that my reviewing and blogging don’t become either a burden or the focus of my work. I do not accept payment for reviews (I do accept review copies of books), and I do not do “review exchanges.” A lot of what I think about reviewing is covered in a blog post from October 2013: http://www.ninjalibrarian.com/2013/10/reviews-and-review-policy.html.

7. Describe how you approach your reviews. Do you have different criteria for different genres?

I try to review with both an honest appraisal of how I liked the work and a more objective assessment of strengths and weaknesses, and a final recommendation for who might like the work. I hold all works to a high standard of writing, but I do consider genre. I don’t expect profundity from a children’s book full of goofy humor and silly situations, but I do expect things to make sense in their own goofy way. I have been gradually developing my format, but I try to always include a cover image, the author (and narrator or illustrator if appropriate) info, publication info, and a summary of the story, either my own or the publisher’s summary. Then I review, and end with a recommendation. I have stopped assigning “stars” unless I am publishing a review somewhere like Amazon that requires it, because I’d rather just talk about the book, the good, bad and indifferent, and let the reader judge from that.

8. Do you multitask when listening to books? If yes, what else do you do while you listen, and how does listening to books affect the other activity?

As I mentioned above, I like to listen to books while working out or doing housework (or yard work)—anything that requires the use of my body but not much of my brain. I can’t just sit and listen to a book, so if I’m totally caught up in a book and don’t want to quit, I will invent tasks, do handwork, etc., to keep listening! I have been known to stop short while running because something I’m listening to has made me laugh too hard to keep going, so I guess you could say that listening to book can affect what I’m doing!

9. Looking back through the reviews you’ve written, please share the link(s) of 1-3 that were favorites of yours and explain why they are special to you.

These are more about books that I particularly like, than reviews that I love. But I include here a range of review styles, to show what I may do.

Dana Stabenow, Restless in the Grave http://www.ninjalibrarian.com/2014/08/mystery-monday-restless-in-grave-by.html

This review handles a book well into a series, and talks about my issues with the series as well as why I like it and keep reading, and what a new reader might do.

Ivan Doig, Dancing at the Rascal Fair http://www.ninjalibrarian.com/2014/12/audiobook-review-dancing-at-rascal-fair.html

This is a fairly brief review, but one of my favorite books. I was delighted to find many of Doig’s books on audio only recently, and to find that his fantastic writing is enhanced by the excellent narrators.

And a less conventional review, of Brian Jacques’ Redwall books in general, and on audio in particular: http://www.ninjalibrarian.com/2014/11/redwall-audio.html

This review in part sprang from a discussion of kids’ audio books, and an issue I’d had listening to these long ago in the car.

10. As a narrator, I sometimes feel I have a spiritual connection to some of the characters in the books. If you were a character in a novel, who would you be, and why?

I’d probably have to be Jo March or Anne Shirley! I’d like to believe I’m the Ninja Librarian, but the fact is that he is far wiser than I am. It is funny—when I think about that, I always end up going back to the classics from my childhood.

Connect with Rebecca on these sites:

Blog: www.ninjalibrarian.com
Facebook: https://www.facebook.com/pages/The-Ninja-Librarian/305808032816136
Twitter: I Tweet as Douglass_RM, when the spirit moves me, which it mostly doesn’t.

Thanks, Rebecca, for spending some time with us in this great interview! Do you have a question or comment for Rebecca? Please leave a comment on the blog!
 

Filed Under: Audiobook Bloggers, Audiobooks, Away From the Mic, Books, Interviews, Marketing, Narrators Tagged With: audiobook, bloggers, interview, Ninja Librarian, Rebecca Douglass

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Interim pages omitted …
  • Page 12
  • Go to Next Page »

Primary Sidebar

Karen@KarenCommins.com

© 1999-2025 Karen Commins // Site design by Voice Actor Websites // Affiliate links to Amazon are used on this site.