Karen@KarenCommins.com

Karen Commins

Award Winning

Atlanta Audiobook Share-rator™

Lynda.com

7 Places to Learn Audio Editing for Audiobooks

Pro Tools screen shot

 

In my last article for narrators, I wrote about 3 ways to become a computer super user. One piece of software that all audiobook narrators need is a Digital Audio Workstation (DAW). Coaches and new narrators often ask me where they can learn how to use their DAW.

The 7 options listed below in no particular order will help you learn the DAW software.

1) The Deyan Institute offers classes in Pro Tools for Production and Pro Tools for Post-Production, as well as an option for 6 hours of Pro Tools instruction.

2) Edge Studio offers webinars in Audition, Audacity, Pro Tools, Reaper, and Twisted Wave.

3) Global Voice Acting Academy has several webinars on recording and occasionally offers classes.

4)  Lynda.com is a FANTASTIC site with professionally produced video courses on Pro Tools, Audition, and Studio One, plus tons of other courses on things like WordPress, marketing, etc. Anyone can get a free 10-day trial using this (affiliate) link.You may be able to access Lynda for FREE with a library card as described in this article.

5) YouTube overflows with how-to videos for numerous DAWS. One excellent source for Studio One videos is the Red Baarns channel created by audio engineer Don Baarns. He also has created tutorials that show how to use iZotope RX products to clean up your audio.

6) Udemy.com offers a number of courses in Audacity, Adobe Audition, Reaper, and Pro Tools. I haven’t used any of these courses, but some of them look pretty comprehensive.

7) You might find a course at a local college or hire a student to teach you. For example, I took an enrichment class on Pro Tools offered on successive Saturdays at the Art Institute of Atlanta.

By the way, if you learn the basic shortcuts keys discussed in the previous article, you have a head start as they will work in your DAW!

 

Updated 4/19/18 to remove links to deleted courses on VoiceOverExtra. com and add the link to Udemy.com

4 Keys to Becoming a Successful ACX Audiobook Producer

Last updated 8/24/19

 

One of my friends is a well-established and highly successful audiobook narrator with years of experience working in commercial studios for traditional publishers. For the longest time, he had absolutely zero interest in setting up a studio and recording at home, largely because he is not comfortable with technology.

I often talked with him about the many merits of using ACX, including the:

Futhermore, traditional publishers are increasingly employing narrators who are experienced in home recording.

Once he was finally convinced that establishing a home recording studio would be an empowering career move on all levels, he decided to create one and asked many questions while implementing his plan.

The thought occurred to me that anyone who is new to home recording and working through ACX might benefit from the 4 key areas of practical advice and information that I gave to my friend about becoming a successful ACX producer.

 

4 keys in locks that look like puzzle pieces

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6 Weeks of Showing My Work

On Saturday, 16 May, I read Austin Kleon‘s book Show Your Work: 10 Ways to Share Your Creativity and Get Discovered. He wrote:

When I have the privilege of talking to my readers, the most common questions they ask me are about self-promotion. How do I get my stuff out there? How do I get noticed? How do I find an audience? How did you do it? I hate talking about self-promotion. Comedian Steve Martin famously dodges these questions with the advice, “Be so good they can’t ignore you.” If you just focus on getting really good, Martin says, people will come to you. I happen to agree: You don’t really find an audience for your work; they find you. But it’s not enough to be good. In order to be found, you have to be findable. I think there’s an easy way of putting your work out there and making it discoverable while you’re focused on getting really good at what you do….

Become a documentarian of what you do. Start a work journal: Write your thoughts down in a notebook, or speak them into an audio recorder. Keep a scrapbook. Take a lot of photographs of your work at different stages in your process. Shoot video of you working. This isn’t about making art, it’s about simply keeping track of what’s going on around you. Take advantage of all the cheap, easy tools at your disposal—these days, most of us carry a fully functional multimedia studio around in our smartphones. Whether you share it or not, documenting and recording your process as you go along has its own rewards: You’ll start to see the work you’re doing more clearly and feel like you’re making progress. And when you’re ready to share, you’ll have a surplus of material to choose from.

While the book is short and easily consumed in an hour or so, its wisdom takes longer to digest.

I decided to do an experiment of showing my work with a Daily Dispatch on Twitter. Before you see all of the Daily Dispatches, let me first tell you 4 few things I learned in the experiment.

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